Team Japan competes during the team free preliminaries of artistic swimming at the 19th FINA World Championships in Budapest, Hungary, Wednesday, June 22, 2022. (Photo by Anna Szilagyi/AP Photo)
Coco Gauff's hand during her second round Australian Open match against Emma Raducanu at Melbourne Park, Melbourne, Australia on January 18, 2023. (Photo by Hannah Mckay/Reuters)
Belgian singer Angèle performs onstage at the 2023 Coachella Valley Music and Arts Festival on April 14, 2023 in Indio, California. (Photo by Emma McIntyre/Getty Images for Coachella)
Greece's Apostolos Angelis (L) and Austria's Felix Leitner compete during the men's 20 km individual event of the IBU Biathlon World Championships in Nove Mesto, Czech Republic on February 14, 2024. (Photo by Joe Klamar/AFP Photo)
Madison Chock and Evan Bates, of the United States, compete in the ice dance's rhythm dance segment at the ISU Grand Prix Finals of Figure Skating, Friday, December 6, 2024, in Grenoble, France. (Photo by Laurent Cipriani/AP Photo)
This image was taken purely by chance, when Fujioka happened to pass a group of schoolgirls striking a popular social media pose in Hiroshima in 2017. “I didn’t even notice the Atomic Bomb Dome (war memorial) behind them when I photographed this image – the girls probably didn’t either. The past and present of Hiroshima co-exists here, with a river running between”. (Photo by Aya Fujioka)
Yaroslava Mahuchikh of Ukraine in action during the High Jump in the Meeting de Paris, part of the 2025 Diamond League at Stade Charlety on June 20, 2025 in Paris, France. (Photo by Gonzalo Fuentes/Reuters)
The street artist known only as Slinkachu has been abandoning little people on the streets of London since 2006. His first project, “Little People in the City”, saw minature men, women and children living their lives on the streets of London and was immortalised in the 2008 book entitled “Little People in the City”. Since then, Slinkachu has done a number of other projects, notably “Whatever Happened to the Men of Tomorrow” which documented the decline of a tiny, middleaged and balding super-hero on the streets of London and “Inner City Snail – a slow moving street art project” which saw Slinkachu “customising” a number of London snails which then presumably went about their business none the wiser.