Ko Min, 26, manually extracts oil from one of three 300 feet deep wells he works on in the Minhla township of the Magwe district October 27, 2013. Everyday, Ko Min makes around $30 extracting crude oil from three small wells after he bought rights to use them for close to $1000 from a farmer who owns the land. In Myanmar, an impoverished country rich with natural resources, people from poor communities find ways to supplement their income by exploiting such resources, such as the Minhla township, traditionally rich with oil, often using primitive and dangerous methods. (Photo by Damir Sagolj/Reuters)

Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)

These illustrations are the work of an artist who has put a sinister spin on iconic animations in order to highlight the disturbing realities of domestic abuse. No Violence Against Women is a project by Italian artist and activist AleXsandro Palombo, 40, who is based in Milan. It forces its audience to confront the plight some women go through under the pretence of a happy relationship or family. (Photo by aleXsandro Palombo)

Coloured X-ray of a barn owl. A physicist has used X-ray to create an extraordinary collection of artwork. Arie van't Riets pictures reveal birds, fish, monkeys and flowers in an incredible new light. The 66-year-old, from Bathmen in the Netherlands, began X-raying flowers as a means to teach radiographers and physicians how the machine worked. But after adding a bit of colour to the pictures, the retired medical physicist realised the potential for an exciting new collection of art. (Photo by Arie van't Riet/Barcroft Media)

Londoners walking through Potters Field Park were surprised to see a “money tree” blooming with £9820 in £10 notes, the average amount a working British family has in savings, on July 24, 2014 in London, England. The tree was planted by Sunlife to encourage the nation to start saving at least £10 a month for a brighter future. (Photo by Tristan Fewings/Getty Images for SunLife)

Aisha, 15, (L) (who asked to withhold her last name), a Syrian refugee from Raqqa, waits with a fellow refugee while harvesting cannabis in the Bekaa valley, Lebanon October 19, 2015. Syrian refugees work to harvest and process spiky-leafed cannabis plants in neighbouring Lebanon’s Bekaa Valley. Often farmers of cotton and wheat back home in Raqqa province – now the de facto capital of Islamic State – the conflict in Syria drove them to seek safety in a region where Syrian migrant workers used to spend a few months a year before returning home. (Photo by Alia Haju/Reuters)

View of the work “Divided” (2016), within the visual artist's exhibition “Urs Fischer: Lovers”, exhibited at the Museo Jumex in Mexico City, Mexico 31 March 2022. The sensations and emotions of love and life, as well as the energy and forces that create and wear it down, inhabit “Urs Fischer: Lovers”, the first solo exhibition in Mexico by Swiss plastics artist Urs Fischer. (Photo by Alex Cruz/EPA/EFE)

Drinkers leave the bars as police patrol in Soho, in central London on September 24, 2020 as the clock nears 10pm, on the first day of the new earlier closing times for pubs and bars in England and Wales, introduced to combat the spread of the coronavirus. Britain has tightened restrictions to stem a surge of coronavirus cases, ordering pubs to close early and advising people to go back to working from home to prevent a second national lockdown. (Photo by Tolga Akmen/AFP Photo)