Crowds look on as Xolo the Giant Dog, one of the giant Royal De Luxe street puppets taking part in Liverpool's World War I centenary commemorations, walks through the streets of Liverpool on July 25, 2014 in Liverpool, England. French street theatre company Royal de Luxe are putting on a show throughout the city as part of Liverpool's World War I centenary commemorations from July 23-27. The giant puppet grandmother has slept in the hall for two days as part of “Memories of August 1914”. As the giants tour the city the Little Girl Giant and her dog Xolo will meet up with the giant Grandmother telling the story of life leading up to World War One. (Photo by Christopher Furlong/Getty Images)

Larissa Neto, a muse of the Unidos da Tijuca Samba School, poses as she wears a carnival dress in Sao Goncalo near Rio de Janeiro, Brazil, February 3, 2016. Rio de Janeiro's carnival parades are known the world over for the glitz and glamour, high-tech allegorical floats and shimmering bodies, which battle it out each year for the championship title. Each school is fronted by the Queen of the Drums, who dances alongside the raging percussion, and her court of sparkling, sculpted dancers known as “muses”. (Photo by Ricardo Moraes/Reuters)

A girl paddles on her stand-up board on the waters of Guanabara bay at Bica beach in Rio de Janeiro Brazil, January 10, 2016. Few features capture the beauty, or the problems, of one of the world's most dramatic urban landscapes like Guanabara Bay - the finger-like inlet that forms the shoreline and harbor for Rio de Janeiro. The bay, which carves into southeast Brazil from the Atlantic Ocean, literally gave Rio its name when Portuguese mariners mistook it for a “rio”, or “river”. Four centuries later, the bay is preparing to welcome another sort of seafarer – Olympic sailors, who will navigate the bay when the 2016 Rio Olympics kick off in August. (Photo by Ricardo Moraes/Reuters)

In this photo distributed by the Israeli Defense Forces (IDF) May 23, 2005, woman soldiers wear branches in their helmets as their infantry instructors' course learns about camouflage during the field craft week of their training May 19, 2005 at an army base near Beersheva in Israel's southern desert. It takes the IDF more than 2 months to teach these 18-year-old female recruits the basic arts of warfare before they assigned to pass on their newly-acquired skills to the army's male and female draftees. (Photo by Abir Sultan/IDF via Getty Images)

Chinese folk artists perform the lion dance at a temple fair to celebrate the Lunar New Year of Dragon on January 22, 2012 in Beijing, China. Falling on January 23 this year, the Chinese Lunar New Year, also known as the Spring Festival, which is based on the Lunisolar Chinese calendar, is celebrated from the first day of the first month of the lunar year and ends with Lantern Festival on the Fifteenth day. (Photo by Feng Li/Getty Images)

A belly dancer dances on the bar at Georgian restaurant Nanuchka in Tel Aviv, Israel July 15, 2015. Nana Shrier, owner of Nanuchka, shocked Israel's culinary world when she removed all animal-based products from the menu. Nanuchka is part of a growing trend that has transformed Israel's financial center into a haven for meatless cuisine. (Photo by Baz Ratner/Reuters)

US based toy inventor Steve Casino, 48, has spent almost two years turning peanut shells into these tiny figures. He has made almost 100 of the tiny four-inch statuettes to date- including well-known stars like Elton John and Johnny Depp. The intricate designs can often take up to 20 hours to create. Steve has even turned his unusual passion into a business, selling privately commissioned peanut statuettes as gifts and wedding cake toppers. (Photo by Steve Casino)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.