Central Bangkok and the Chao Phraya River are seen from an abandoned skyscraper in Bangkok April 19, 2015. The abandoned building, known as Satorn Unique, dubbed the “ghost tower” was destined to become one of Bangkok's most luxurious residential addresses but construction was never completed as the Thai economy was hit during the 1997 Asian Financial Crisis. Now, many travellers visit and explore 49-storey skyscraper. (Photo by Athit Perawongmetha/Reuters)

James Spears takes his 1964 German built Amphicar for a drive on Lake Mead in Nevada May 6, 2015. Its a journey many drivers dream of, rather than travelling round a lake simply driving through it. But for James Spears it may be time to make the most of the waters in Lake Mead in Nevada, as water levels are plunging as California struggles to cope with a fourthsuccessive year of droughts. (Photo by Mike Blake/Reuters)

Athletes attend training session at the Ak Bulak Nordic Arena outside Almaty, Kazakhstan, July 16, 2015. Kazakhstan is aspiring to host the 2022 Winter Olympics but many in the Central Asian nation view the bid as yet another vanity project of long-ruling President Nursultan Nazarbayev. Almaty, the financial capital, will go head-to-head with the Chinese metropolis Beijing on Friday when the International Olympic Committee elects the winner at its session in Malaysia. (Photo by Shamil Zhumatov/Reuters)

Balloons are inflated at the Bristol International balloon fiesta in south west England August 6, 2015. Now in its 37th year, the Bristol International Balloon Fiesta is Europe's largest annual hot air balloon event in the city that is seen by many balloonists as the home of modern ballooning. (Photo by Toby Melville/Reuters)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

Many powerful photographs have been made in the aftermath of the devastating collapse of a garment factory on the outskirts of Dhaka, Bangladesh. But one photo, by Bangladeshi photographer Taslima Akhter, has emerged as the most heart wrenching, capturing an entire country’s grief in a single image... Photo: Two victims amid the rubble of a garment factory building collapse in Savar, near Dhaka, Bangladesh, April 25, 2013. (Photo by Taslima Akhter)

Artist Matthew Albanese creates amazing miniature landscapes made from sugar, chocolate and even bits of ostrich in his living room. All the models were painstakingly recreated in his living room, which he uses as his studio. Each gruelling piece can take up to as many as 700 hours to complete. Photo: A stormy version of “New Life 2” created by Matthew Albanese. (Photo by Matthew Albanese/Barcroft Media)