Natalie Geisenberger of Germany, Johannes Ludwig of Germany, Tobias Wendl of Germany and Tobias Arlt of Germany celebrate their teammates slide winning gold during the Luge Team Relay on day six of the Beijing 2022 Winter Olympics at National Sliding Centre on February 10, 2022 in Yanqing, China. (Photo by Thomas Peter/Reuters)

Ukraine's Olga Polyuk falls while competing in the freestyle skiing women's aerials qualification during the Beijing 2022 Winter Olympic Games at the Genting Snow Park A & M Stadium in Zhangjiakou on February 14, 2022. (Photo by Marco Bertorello/AFP Photo)

An Oktoberfest visitor swings her dirndl, at the start of Oktoberfest, on Munich's Theresienwiese, in Germany, Saturday, September 20, 2025. (Photo by Karl-Josef Hildenbrand/dpa via AP Photo)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Women walk next to soldiers in Surcubamba, Peru, Thursday, May 21, 2015. The Joint Command of the Peruvian Armed Forces organized a humanitarian mission to Surcubamba, where health care was provided to families from nearby villages in this region called VRAEM, the acronym for Valley of the Apurimac, Ene and Mantaro rivers, where sixty percent of Peru's cocaine originates. (Photo by Rodrigo Abd/AP Photo)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)