Russian political artist Nadezhda Khuzina was born December 12, 1982 in the city of Serpukhov, Russia. In 2001 she graduated from Moscow Region Pedagogical College, in 2008 – St. Petersburg Art and Industry Academy. Now Nadezhda Khuzina is living in San Diego, CA. Nadezhda Khuzina “Nadia” has devoted her last paintings to Winter Olympics in Sochi, featuring Russian president Putin in different roles. Vladimir Putin is able to perform any sport – skater and skier, hockey player and snowboarder, such James Bond of Olympics, able to cope with any task. The creative artist is inspired by the image of Russian president, a charismatic man Vladimir Putin

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

This picture taken on January 17, 2019 shows jeepneys during rush hour in Manila, Philippines. Hand-painting custom decor on jeepneys adorned with images of everything from Batman to babies, as well as disco lights and chrome wheels, have for decades provided cheap transport for millions. But pollution and safety concerns have led to a modernisation programme, with jeepneys 15 years or older to be taken off the streets by 2020. (Photo by Noel Celis/AFP Photo)

Ralph Mirebs, an urban explorer and photographer in Russia, has revealed extraordinary photos of Soviet space shuttle prototypes gathering dust in an abandoned hangar. The abandoned hangar is located at the Baikonur Cosmodrome in Kazakhstan, which is still in operation today (with the close of NASA’s shuttle program, Russian Soyuz shuttles are the only way for astronauts to reach the International Space Station). The Buran prototype shuttles found by Mirebs, however, are from an earlier era – they are the last remnants of a space program that began in 1974 and was finally shuttered in 1993. (Photo by Ralph Mirebs/Exclusivepix Media)

Two holy men with a decorative faces and headdresses, taken in Kathmandu, Nepal. Wandering through the cities and forests of Nepal are the holy men, or Sadhus, who have left all materialistic pleasures behind to live a life devoted to God. Their appearances vary from brightly coloured face paints, and decorations, to minimalistic practical clothing, but they all represent the fundamental values and meanings of Hinduism. Danish photographer Jan Moeller Hansen visited the ancient capital city of Kathmandu between 2013 and 2016 and documented the mysterious holy wanderers. (Photo by Jan Moeller Hansen/Barcroft Images)

A bullied student with vitiligo is celebrating learning to love her skin by turning it into art making a world map, flowers and even a Van Gogh painting. Ashley Soto, 21, from Orlando in Florida, USA, has found turning her white patches of skin into art has empowered her and helped her to embrace her vitiligo. Here are some of the art pieces Ashleys made to celebrate and embrace her vitiligo from a world map to simply tracing her vitiligo and also Van Goghs Starry Night. (Photo by Ashley Soto/Caters News Agency)

A woman looks at traditional Ukrainian Easter eggs “Pysanka”, installed as part of the upcoming celebrations of Easter, in central Kiev, Ukraine, April 29, 2016. A pysanka is a Ukrainian Easter egg, decorated with traditional Ukrainian folk designs using a wax-resist (batik) method. The word pysanka comes from the verb pysaty, “to write”, as the designs are not painted on, but written with beeswax. Many other eastern European ethnic groups decorate eggs using wax resist for Easter. These include the Belarusians, Bulgarians, Croats, Czechs, Hungarians, Lithuanians, Poles, Romanians, Serbs, Slovaks, Slovenes and Sorbs. (Photo by Valentyn Ogirenko/Reuters)

Pictures of deceased people are seen inside a chapel at a cemetery in the village of Smoljinac, Serbia, October 25, 2016. From a distance, the cemetery in the eastern Serbian village of Smoljinac looks like a residential neighbourhood eerily placed among graves. But once inside the grounds, after passing a section with the usual stone slabs, visitors find rows of small bungalows painted in pastel colours. They have one or two rooms, large windows and ornate plaques – some inside, some outside – memorialising the deceased. These are the burial chapels of Smoljinac, cosy cabins with a furnished room inside, a storage place for wreaths and funeral paraphernalia, and the family crypt below. Some even have electric power inside. (Photo by Marko Djurica/Reuters)