Hindu devotees (not pictured) touch a child with their feet as part of a ritual to bless him during a religious procession held to mark the Gajan festival in Kolkata, India, April 13, 2018. (Photo by Rupak De Chowdhuri/Reuters)

2016 Rio Olympics, Artistic gymnastics, Women's Training, Rio Athletes Park, Rio De Janeiro, Brazil on July 27, 2016. A gymnast from Russia trains. (Photo by Ivan Alvarado/Reuters)

A woman talks to a man as two children play inside a wrecked car at a camp for displaced people in Port-au-Prince, Haiti, March 6, 2016. (Photo by Andres Martinez Casares/Reuters)

José Pereira de Souza plays an accordion as actress and model Tatiana Melo gives a television interview in Feira Nordestina outside of the Olympic periphery on Wednesday, August 17, 2016. (Photo by Aaron Ontiveroz/The Denver Post)

An Israeli soldier of the Caracal battalion smiles during a 23-kilometer march marking the end of their training in Israel's Negev desert, near Kibbutz Sde Boker February 14, 2013. The “Caracal” battalion, two-thirds of whose members are women, was established in 2004 with the purpose of incorporating female soldiers in combat units. The main mission of Caracal is routine patrols on Israel's border with Egypt to intercept infiltrators and smuggling from the Sinai desert. (Photo by Darren Whiteside/Reuters)

The Bondi Icerbergs Pool was converted into a giant esky ice chest during the filiming of a Jim Beam commercial at Bondi Icebergs on March 21, 2013 in Sydney, Australia. (Photo by Marianna Massey)

Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.

Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.