Four-year-old Etta Syrett relaxes on one of two giant pumpkins at Pinetops Nurseries in Lymington, UK on September 22, 2025, affectionately named “Dumbledore” and ”Muggle”. Grown by twins Ian and Stuart Paton, each weighs an estimated 1,179 kg (2,600 lbs). The 64-year-old brothers were inspired by Hagrid’s pumpkin patch in Harry Potter and hope to break the world record. (Photo by Ollie Thompson/Solent News & Photo Agency)

Andy Swan “Zippy the Clown” from Sacramento, California, drives his “elelphant” car during a break at the 2011 Clowns of America International Convention on April 15, 2011 in Anaheim, California. Several hundred clowns, from all over the United States and from as far as Puerto Rico and Germany, are attending the convention to compete in skits and hone their skills in the art of balloon-making and face-painting. (Photo by Kevork Djansezian/Getty Images)

Divorce is not traditionally a reason to party, but these hilarious cakes provide a fun and humorous way to celebrate new beginnings. London-based baker Fay Millar started creating and selling the fun confections to meet the growing trend for break-up parties. She says that inquiries about her cakes come mainly from ex-wives who want to celebrate the divorce with their friends.

The three pals dressed to the nines enjoyed a boozy night out in Leeds, United Kingdom on August 27, 2021. Boozed-up Brits flocked to bars across the country to enjoy the start of the three-day break. (Photo by Nb press ltd)

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

Split Apple Rock is a geological rock formation in The Tasman Bay off the northern coast of the South Island of New Zealand. Made of granite, it is in the shape of an apple which has been cut in half. It is a popular tourist attraction in the waters of the Tasman Sea approximately 50 metres off the coast between Kaiteriteri and Marahau. The rock sits in shallow water at low tide and is accessible by wading. It is also a point of interest for the many tourist boats and pleasure craft which operate along the shores of the Abel Tasman National Park. The cleft to produce two sides of the 'apple' was a natural occurrence. It is unknown when this happened and therefore the cleaving of the rock has attracted mythological explanations.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.