People stand in front of a black ribbon, symbolising remembrance and mourning, being projected onto the Sydney Opera House on February 9, 2023 in solidarity with Turkey and Syria after a massive earthquake devastated the two countries. (Photo by David Gray/AFP Photo)

A woman peels potatoes for sale at a market located along a railway line in West Jakarta, Indonesia March 1, 2016. (Photo by Garry Lotulung/Reuters)

A horse is paraded during the Arabian Horse Festival at the Bait al-Arab in Kuwait City on February 5, 2022. (Photo by Yasser Al-Zayyat/AFP Photo)

Swimmers known as the Lido Ladies pose by the pool during sunrise at Charlton Lido in Hornfair Park, London on December 2, 2020, on its first day of reopening after the second national lockdown ended and England enters a strengthened tiered system of regional coronavirus restrictions. (Photo by Victoria Jones/PA Images via Getty Images)

Girls bath inside a drum on a hot summer day at a field in New Delhi, April 18, 2017. (Photo by Adnan Abidi/Reuters)

Sri Lankan flood victims flock around a bus to receive food parcels on a inundated road in Colombo, Sri Lanka, Tuesday, May 17, 2016. The Disaster Management Center said that 114 homes have been destroyed and more than 137,000 people have been evacuated to safe locations as heavy rains continue. (Photo by Eranga Jayawardena/AP Photo)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

A storm is seen in Sarasota, Florida, June 24, 2018. (Courtesy of Val Vasilescu/Facebook.com/Kingofsunsets via Reuters)