Exhausted grave diggers rest in between funerals at a cemetery designated for Covid-19 victims in Bandung on June 15, 2021, as infection numbers soar in Indonesia. (Photo by Timur Matahari/AFP Photo)

A man daubed in colours looks on as he takes part in “Lathmar Holi” celebrations inside a temple in the town of Barsana, in Uttar Pradesh, India, March 15, 2019. (Photo by Altaf Hussain/Reuters)

A model presents a creation by Obectra during Berlin Fashion Week in Berlin, Germany, January 15, 2020. The Berlin Fashion Week runs from​ 13 to 17 January. (Photo by Annegret Hilse/Reuters)

A bride gets tested for the coronavirus disease (COVID-19) at a nucleic acid testing site, following the coronavirus disease (COVID-19) outbreak in Shanghai, China on November 15, 2022. (Photo by Aly Song/Reuters)

Men tackle a bull as they participate in the annual bull-taming sport of Jallikattu played to celebrate the harvest festival of Pongal on January 15, 2023 in Avaniyapuram, near Madurai, India. (Photo by Abhishek Chinnappa/Getty Images)

An Afghan vendor waits for customers at his stall selling plastic cans in a market in Mazar-i-Sharif on June 15, 2025. (Photo by Atif Aryan/AFP Photo)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.