Bystanders look at MV Wakashio bulk carrier that had run aground and from which oil is leaking near Blue Bay Marine Park in south-east Mauritius on August 6, 2020. The carrier, belonging to a Japanese company but Panamanian-flagged, ran aground on July 25 and its crew was evacuated safely. The ship was empty at the time but was carrying 200 tonnes of diesel and 3,800 tonnes of bunker fuel, according to the local press. (Photo by Dev Ramkhelawon/L'Express Maurice/AFP Photo)

In this July 30, 2014 photo, neighbors help gravely injured Mohammed al-Selek, 39, wounded by an Israeli mortar strike as he lays next to the body of Palestinian journalist Rami Reyan who was killed, in the Shijaiyah neighborhood of the northern Gaza Strip. Al-Selek's life changed forever last July 30, when the shells slammed into his home killing all his three children, his father and six other relatives. A year later, al-Selek, who lost his leg during the airstrike, still struggles to recover and come to terms with his family's loss in the 50-day Israel-Hamas war. (Photo by Adel Hana/AP Photo)

Family members mourn the passing of Manuela Chavez, who died from symptoms related to the new coronavirus at the age of 88, as a government team prepares to remove her body from inside her home, in the Shipibo Indigenous community of Pucallpa, in Peru's Ucayali region, Monday, August 31, 2020. While the lucky are cured with ancestral ailments, the less fortunate often die at home. A government team travels from one spartan, thatch-roofed home to the next, removing the dead from their homes where they took their last breaths. (Photo by Rodrigo Abd/AP Photo)

A protester spits fire during a protest to mark the second anniversary of months of civil unrising against social inequality, in Santiago, on October 18, 2021. The social-justice protests that rocked Chile in October 2019 led ultimately to the decision to create a new constitutional convention to draft a constitution to replace the one written during the dictatorship of Augusto Pinochet (1973-1990). The new 155-member the new body is in charge of writing a new constitution meant to pry power from the hands of the elite and spread it more equitably in the South American nation. (Photo by Martin Bernetti/AFP Photo)

New Zealand Defence Force personal perform a haka during Te Rau Aroha, an evening to commemorate Maori service in the New Zealand Armed Forces on February 05, 2020 in Waitangi, New Zealand. The Waitangi Day national holiday celebrates the signing of the treaty of Waitangi on February 6, 1840 by Maori chiefs and the British Crown, that granted the Maori people the rights of British Citizens and ownership of their lands and other properties. (Photo by Fiona Goodall/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

The Florida Keys are famous for their diving, but they are less well known for another quirky attraction: the mailboxes residents use to decorate their driveways. From a fiberglass manatee in lipstick to a small white church, Reuters photographer Wolfgang Rattay documented this unusual aspect of local culture as he drove along the Ocean Highway that connects the islands. Photo: A mailbox in the shape of a fire truck is seen along the highway US-1 in the Lower Keys near Marathon in Florida, July 11, 2014. (Photo by Wolfgang Rattay/Reuters)

Grand Rapids (Michigan) based illustrator and artist Scott Gundersen creates his portraits from thousands of used and recycled corks. Starting with a large photograph that’s transferred to a drawing, Gundersen pins each cork to the canvas, creating a correlation between the hues of the wine-stained corks and the value of light or shadow in the portrait. Scott Gundersen has made these incredible portraits, one using 3,621, 3,842 and the other using 9,217 natural wine corks.