Clown/comedian/filmmaker Pierre Etaix attends The Academy Of Motion Picture Arts And Sciences' Presents “Pierre Etaix: The Laughter Returns” at AMPAS Samuel Goldwyn Theater on November 16, 2011 in Beverly Hills, California. (Photo by Valerie Macon/Getty Images)

Ethnic Miao men wearing traditional masks smear dust on a woman's face to wish her good luck during local celebration event for Lunar New Year in Liuzhou, Guangxi Zhuang Autonomous Region, China, February 16, 2016. (Photo by Reuters/Stringer)

Carlos Melendez prepares to feed his pet squirrel “Colita” in downtown San Salvador January 29, 2015. (Photo by Jose Cabezas/Reuters)

A woman aims a World War II machine gun at a military show during celebration of the Defenders of the Fatherland Day in St.Petersburg, Russia, Tuesday, February 23, 2016. The day, celebrated in Russia on February 23, honors the nation's military and is a nationwide holiday. (Photo by Dmitri Lovetsky/AP Photo)

The sculpture “It Takes Two to Tango” by Scottish sculptor David Mach is seen in front of the headquarters of the CMA-CGM shipping company office tower in the port of Marseille, France, March 15, 2016. (Photo by Jean-Paul Pelissier/Reuters)

A woman with a sign that reads in Portuguese “Being woman without Temer”, stands next to a police barricade during a protest against the gang rape of a 16-year-old girl in Sao Paulo, Brazil, Wednesday, June 1, 2016. In response to the assault, Brazil's interim President Michel Temer said that the country will set up a specialized group to fight violence against women. (Photo by Andre Penner/AP Photo)

Indian Muslim children hold anti-US placards as they participate in a protest meeting against the film “Innocence of Muslims” in Kolkata on October 5, 2012. A low-budget, US-produced “Innocence of Muslims” movie has incited a wave of bloody anti-US violence in Libya, Egypt, Sudan, Tunisia, Yemen and in several other countries across the Muslim world. (Photo by Dibyangshu Sarkar/AFP/AFP Photo)

A silicon rug in the form of Adolph Hitler on display during an exhibition by Israeli artist Boaz Arad, at the Center for Contemporary Art February 22, 2007 in Tel Aviv, Israel. Arad is an Israeli artist who is dealing with the Holocaust in a provocative way. He uses the Holocaust to discuss human evil and contemporary Israel, which he says is torn and crumbling. (Photo by David Silverman/Getty Images)