Iraqi workers make traditional sweets, during the Muslim fasting month of Ramadan in Baghdad, June 13, 2016. (Photo by Khalid al Mousily/Reuters)

A man dressed as a devil poses next to a grafitti of late rebel hero Ernesto "Che" Guevara in the indigenous community of Monimbo in Masaya, Nicaragua, October 16, 2015. People prepare to participate in the popular annual festival called "The Aguizotes" held on the last Friday of October, where residents dress up as characters from legends and folklore mythology of Nicaragua. (Photo by Oswaldo Rivas/Reuters)

An Estonian competitor cheers during the “World Medieval Fighting Championship – the Israeli Challenge” in Rishon Letzion near Tel Aviv January 22, 2015. Israel hosted the tournament on Thursday, which includes 14 competitors from seven different countries – France, Belarus, Denmark, Estonia, Russia, Ukraine and Israel. (Photo by Amir Cohen/Reuters)

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Kim Kardashian and Kanye West leave their residence in Paris, on May 23, 2014. (Photo by Kenzo Tribouillard/AFP Photo)

British singer and songwriter Charlotte Emma Aitchison aka Charli XCX poses in the green room for a portrait before the Sonos And Pandora Present “An Evening With Charli XCX” event at Sonos Studio on June 10, 2014 in Los Angeles, California. (Photo by Joe Scarnici/Getty Images for Sonos)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)