Ranger trainees and trainee dogs simulate an ambush against rhino poachers at the Paramount Group Anti-Poaching training and K9 (canine) academy on November 26, 2014 in Magaliesberg, South Africa. One of the largest of its kind in Africa, the Academy will address the ever increasing need for training of Conservation Officers in anti poaching activities, wildlife contraband detection, specialist K9 solutions and Ranger K9 handler training – all of which have proven success rates in combatting and apprehending poachers and their activities. (Photo by Gianluigi Guercia/AFP Photo)

It's a 30-day-old Echidna baby, known as a “puggle” – one of only 24 ever bred in captivity. The proud parents are Tippy and Pickle of Australia Zoo. The tiny baby, whose s*x has not yet been identified, hatched from a soft egg and will continue to develop and nurse inside Tippy's warm pouch. (Photo by Australia Zoo/Rex/Sipa Press)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

In this December 23, 2013 photo, Indian army soldiers patrol near one of their forward post at the Line of Control (LOC), that divides Kashmir between India and Pakistan, at Krishna Ghati (KG Sector) in Poonch, 290 kilometers (180 miles) from Jammu, India. The military commanders of longtime rivals India and Pakistan met on Tuesday in a bid to stop frequent cross-border attacks in disputed Kashmir which escalated tensions in the region in recent months. (Photo by Channi Anand/AP Photo)

An arm holding a giant gun appears to explode through a wall, while elsewhere a man walks a tiger on a leash. These breathtaking pencil drawings are the work of 31-year-old artist Ben Heine, who lives and works in Rochefort, Belgium. The “anamorphic illusions”, part of the artist's “Pencil Vs Camera” series, appear slightly distorted unless viewed from the exact same perspective in which they were created. Photo: Visual artist Ben Heine at work in his studio while he creates one of his “anamorphic illusions” in Rochefort, Belgium. (Photo by Ben Heine/Barcroft Media)

Ko Min, 26, manually extracts oil from one of three 300 feet deep wells he works on in the Minhla township of the Magwe district October 27, 2013. Everyday, Ko Min makes around $30 extracting crude oil from three small wells after he bought rights to use them for close to $1000 from a farmer who owns the land. In Myanmar, an impoverished country rich with natural resources, people from poor communities find ways to supplement their income by exploiting such resources, such as the Minhla township, traditionally rich with oil, often using primitive and dangerous methods. (Photo by Damir Sagolj/Reuters)

In this Sunday, May 4, 2014 photo, Survivors sit with their possessions near the site of Friday's landslide that buried Abi-Barik village in Badakhshan province, northeastern Afghanistan. Stranded and with no homes, many of the families have struggled to get aid. Some have gone to nearby villages to stay with relatives or friends, while others have slept in tents provided by aid groups. The unlucky ones have slept outside. (Photo by Massoud Hossaini/AP Photo)