Assassin’s Creed is a game that is set in the past with the main character’s subconsciousness traveling through the fabric of time to acquire hidden knowledge. The level designers of Assassin’s Creed Unity have meticulously recreated the streets of 1789 Paris to allow the users to become completely engulfed by the atmosphere of this proud and ancient city. Each year, games are becoming more and more realistic, and soon the line between movie footage and computer generated world will completely blur. This is both scary and exciting prospect, yet there is no doubt that someday, virtual world will be indistinguishable from the real one. To illustrate this, Damien Hypolite has taken a series of photos which compare scenes from Assassin’s Creed to the real placed in modern Paris. (Photo by Damien)

Cooked and coloured eggs travel along the production line at the Schrall coloured eggs company in the Austrian Village of Diendorf March 16, 2015. Schrall is one of Austria's biggest Easter and coloured eggs producers and makes between eight and 10 million coloured eggs throughout year. (Photo by Leonhard Foeger/Reuters)

Yulin, a city in southern China, celebrates the summer solstice by throwing a festival that involves the slaughter and consumption of as many as 10,000 dogs. Not everyone in China supports such practices, however; 65-year-old Yang Xiaoyun, a retired teacher who runs an animal shelter in Tianjin, traveled more than 2,400 km (1,500 miles) and spent more than 7,000 yuan ($1,100 or €990) to save 100 dogs from certain death.

Dancers of the Friedrichstadt-Palast from the show “THE WYLD” pose during a promotional photocall in front of the Brandenburg Gate in Berlin, Germany, June 25, 2015. The 10.6 million euro ($13.5 million) show is the largest production budget in the 95-year history of Friedrichstadt-Palast. (Photo by Hannibal Hanschke/Reuters)

An actor plays an injured passer-by during Exercise Strong Tower, the scene of a mock terror attack at a disused underground station in central London, Britain June 30, 2015. London police held their biggest-ever terrorism drill on Tuesday, pitting the emergency services against a group of marauding attackers, nearly 10 years since four young British Islamists killed 52 people in suicide bombings on London's transport network in July 2005. (Photo by Peter Nicholls/Reuters)

An exhausted and frustated migrant holds his head after he missed to get a place on a train heading to the Serbian border at the train station in Gevgelija, The Former Yugoslav Republic of Macedonia, August 13, 2015. From the beginning of the year to mid-June 2015, nearly 160,000 migrants landed in the southern European countries, mainly Greece and Italy, on their way to wealthier countries in Western and Northern Europe, according to estimates by the International Organization for Migration (IOM). (Photo by Georgi Licovski/EPA)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.

Postcards for Ants is an ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013. The artist works with paint brushes, pencils, and bare eyes to render superbly detailed paintings scarcely larger than a small coin. After the first year, Loots relaunched the project in a second phase inspired by Cape Town’s designation as World Design Capital 2014.