A group of Ashkenazi jews in Jerusalem. (Photo by Hulton Archive/Getty Images). Circa 1885

Three Chinese soldiers at the time of a civil war in China. (Photo by General Photographic Agency/Getty Images). 1922

Members of the Communist New Fourth Army on parade. Note how the modern equipment contrasts with the shoeless soldiers in the foreground. (Photo by Hulton Archive/Getty Images). 6th July 1946

Egyptian bootblacks cleaning a European's shoes in Cairo. (Photo by Hulton Archive/Getty Images). Circa 1870

A man stands on an old train of Bolivian Railways Company from 1870-1900 at the train cemetery in Uyuni, Potosi, Bolivia on May 16, 2018. (Photo by David Mercado/Reuters)

Members of the 2013 “Jarl Squad” take part in the annual Up Helly Aa festival which culminates in the burning of a Viking Galley in Lerwick, Shetland Islands on January 29, 2013. Up Helly Aa celebrates the influence of the Scandinavian Vikings in the Shetland Islands and has employed this theme in the festival since 1870. The event culminates with up to 1,000 “guizers” (men in costume) throwing flaming torches into their Viking longboat. (Photo by Andy Buchanan/AFP Photo)

Wolfgang (L), member of World War One historical association “Darstellungsgruppe Suddeutsches Militar 1870-1918” (DSM 18), from Munich, Germany, and Florent, member of French association “Le Poilu de la Marne”, dressed in vintage army uniforms, visit the Bezonvaux bunker in the national forest of Verdun, eastern France, March 29, 2014. Members of French and German historical associations, who gather annually, together visited the battlefield of Verdun in France, the site of a bloody World War One battle that dragged on for around 10 months in 1916, claiming hundreds of thousands of lives and destroying many villages. (Photo by Charles Platiau/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)