Howard Jackson, a Liberian migrant, poses for a portrait in the Andalusian capital of Seville, southern Spain March 7, 2016. Jackson escaped civil war and spent three years crossing Africa before reaching Spain. Dressed up in one of his more than 200 costumes, from Peter Pan to Little Red Riding Hood, he is a well-known figure at an intersection entering the Spanish city of Seville where he has sold tissues to motorists for over a decade. Jackson is studying law and wants to become a judge. (Photo by Marcelo del Pozo/Reuters)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

American singer Michael Jackson (1958–2009) arrives at Heathrow Airport with his manager Frank DiLeo, on his Bad World Tour, 11th July 1988. (Photo by Dave Hogan/Getty Images)

Atmosphere during the auction of antique and modern furniture and other collectibles from Michael Jackson's last residence, his Holmby Hills mansion, held at Julien's Auctions Gallery on December 12, 2011 in Beverly Hills, California (Photo by Mark Davis/Getty Images)

Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

People walk past the 23-foot “Unitled (LAMP/BEAR)” outdoor sculpture of a teddy bear by artist Urs Fischer April 8, 2011 in New York City. The 35,000 pound sculpture of a yellow teddy bear with a working lamp will be on display for five months in front of the Seagram Building in Manhattan. The sculpture is expected to sell for more than $10 million at Christie’s Post-War & Contemporary Evening Sale on May 11. (Photo by Mario Tama/Getty Images)