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The expertly colourised shots were brought to life by French bank technician, Frédéric Duriez (51). The images were provided by the Valois collection which belongs to the BDIC. “By colourising these photos, I reduce the time that separates us today from this conflict”, said Frédéric. “A black and white photo does not attract the attention of young people, if you colour it, then people will look at it with curiosity. After this, we see the greater the misery and distress of these French fighters”. The total number of casualties in WW1 was more that 38 million. By the end of the war, over eight-million men had been called up to fight in the French army. France suffered 4.2 million casualties during the war with 1.3 million people dead. Here: Car cannon sections in firing position, Auxi-le-Château. (Photo by Frédéric Duriez/BDIC/Mediadrumworld.com)

The expertly colourised shots were brought to life by French bank technician, Frédéric Duriez (51). The images were provided by the Valois collection which belongs to the BDIC. “By colourising these photos, I reduce the time that separates us today from this conflict”, said Frédéric. Here: Car cannon sections in firing position, Auxi-le-Château. (Photo by Frédéric Duriez/BDIC/Mediadrumworld.com)
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03 May 2017 08:41:00
STATUE OF LIBERTY IN PARIS

When a French politician remarked that a monument should be raised in honour of American independence at a dinner party in 1865 he probably didn't imagine that the result would become an international icon of freedom. ...
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27 Jul 2012 04:07:00
Sakura and Kazuhiro, Tokyo, 2015. Kazuhiro is a tattoo artist and Sakura is a photographer. They love cooking, live with their dog and two cats and each have the date of their wedding tattooed to their ring fingers. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)

Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)
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04 Aug 2017 08:48:00