French Levalet is back in the streets of Paris with this new piece entitled ‘Le marchand de sable’/’The Sandman’, a rather literal interpretation of the mythical character in central and northern European folklore who brings good dreams by sprinkling magical sand onto the eyes of children while they sleep at night. Funny and smart as usual.

A high-kicking Parisian can-can dancer. (Photo by Hulton Archive/Getty Images). 1895

A view of the Tianducheng development in Hangzhou, Zhejiang Province August 1, 2013. Tianducheng, developed by Zhejiang Guangsha Co. Ltd., started constructing in 2007 and was known as a knockoff of Paris with a scaled-replica of the Eiffel Tower, standing 108 metres, and Parisian houses. Although designed to accommodate at least ten thousand people, Tianducheng remains sparsely populated and is now considered as a “ghost town”, according to local media. (Photo by Aly Song/Reuters)

Dancers warm up in the wings before performing in a full-dress rehearsal at the Moulin Rouge in Paris on September 8, 2021, two days ahead of the reopening of the cabaret following an 18-month closure amid the COVID-19 pandemic. Closed for a year and a half due to the pandemic, the Moulin Rouge and Le Lido, emblems of the crazy Parisian nights since 1889, are finally reopening. (Photo by Christophe Archambault/AFP Photo)

A Parisian dances at the installation Electronica, a unique look at the great classics of 20th century electronic music, played under the vaults at the Collège des Bernardins part of Nuit Blanche, an annual evening festival of culture and art on October 03, 2020 in Paris, France. Scaled down this year because of the Covid-19 pandemic, the festival is split across the left and right banks of the city with many outdoor exhibitions to enable social distancing. (Photo by Kiran Ridley/Getty Images)

French performer Maud'Amour applies a makeup backstage before the Parisian transvestite cabaret show at “Madame Arthur” in Paris, on September 29, 2023. Open since 1946, Madame Arthur is the oldest transformist cabaret in Paris. Threatened with extinction the cabaret is undergoing a renaissance, attracting younger customers by returning to the fundamentals of the lie: baroque and queer performers who play with genres and conventions, and sing French hits live. (Photo by Joel Saget/AFP Photo)

Charlotte fights a monster with a “wand” in her bedroom in Laure Fauvel's “Terreurs”, 2014, in Paris, France. An imaginative photographer has brought to life monsters that haunt children's nightmares. Armed with sticks, wands and swords the eight and nine year-olds appear to be getting the upper-hand against the villains. Parisian photographer Laure Fauvel, 22, said: I wanted the children not be victims and to fight the monsters. (Photo by Laure Fauvel/Barcroft Media)

Dancers wait in the wings before performing in a full-dress rehearsal at the Moulin Rouge in Paris on September 8, 2021, two days ahead of the reopening of the cabaret following an 18-month closure amid the COVID-19 pandemic. Closed for a year and a half due to the pandemic, the Moulin Rouge and Le Lido, emblems of the crazy Parisian nights since 1889, are finally reopening. (Photo by Christophe Archambault/AFP Photo)