People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

People use snowshoes during a tour of the Great Kemeri Bog, Latvia, October 17, 2015. The Kemeri bog is more than 8,000 years old and is one of the largest dry moss swamps in the Baltics. A more than decade-long joint restoration of the bog by the European Union and the Latvian government helped the bog recover its high moss marshes, damp black alder forests, floodplain meadows and seaside lakes – features now considered rare in Europe due to industrialisation. (Photo by Ints Kalnins/Reuters)

German fan Didi Senft known as El Diablo cheers as the pack rides past during the 234.5 km seventh stage of the 101st edition of the Tour de France cycling race on July 11, 2014 between Epernay and Nancy, northeastern France. (Photo by Lionel Bonaventure/AFP Photo)

Beyonce performs during the Formation World Tour at Raymond James Stadium on Friday, April 29, 2016, in Tampa, Florida. (Photo by Frank Micelotta/Invision for Parkwood Entertainment/AP Images)

These Halloween horrors were all carved out of humble pumpkins by Ray Villafane and his team of professional sculptors who meticulously carved the terrifying characters using spoons and scalpels. Each one takes on average two hours to complete – with the horrifying results netting Villafane, plus colleagues Andy Bergholtz and Chris Vierra, numerous TV appearances each Halloween. This year the team has gone global travelling to Germany, Switzerland and Hong Kong to create their masterpieces. Photo: A horror face carved out of a pumpkin by Ray Villafane and team in Bellaire, Michigan. (Photo by Ray Villafane/Barcroft Media)

Singer Madonna performs during her concert at the AccorHotels Arena in Paris, France, December 9, 2015, on her Rebel Heart Tour. (Photo by Benoit Tessier/Reuters)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.