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"The Amazing GIFS Of Romain Laurent

French photographer and director Romain Laurent started making portrait-based GIFs as a way to produce work outside his commercial jobs, a spontaneous project that would encourage him to produce consistently for himself rather than clients.
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26 Oct 2016 20:09:00
GIF Art By James Kerr

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.


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19 Dec 2013 10:31:00
GIF Art By James Kerr

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.
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23 Dec 2013 10:39:00


Look at the image for long enough and you can make the train change direction simply by thinking about it. Freaky.
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21 May 2013 10:55:00
The camouflage mappet moth looks like a fall lead in Switzerland. (Photo by Thomas Marent/Caters News/Ardea)

Whether they are the hunter or the hunted, these camouflage animals show natures incredible ability to blend in with its surroundings. Pictured perfectly concealed against their natural environment, the stunning pictures show the amazing lengths some animals will go to to stay out of sight. Here: The camouflage mappet moth looks like a fall lead in Switzerland. (Photo by Thomas Marent/Caters News/Ardea)
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09 Oct 2014 12:58:00
Farm animals are walked down the aisle and blessed by church officials during the “Blessing of the Animals” at the Christ Church United Methodist in Manhattan, New York December 7, 2014. (Photo by Elizabeth Shafiroff/Reuters)

Farm animals are walked down the aisle and blessed by church officials during the “Blessing of the Animals” at the Christ Church United Methodist in Manhattan, New York December 7, 2014. (Photo by Elizabeth Shafiroff/Reuters)
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08 Dec 2014 11:39:00
Farmers herd a flock of ducks along a street towards a pond as residents drive next to them in Taizhou, Zhejiang province, June 17, 2012. (Photo by Reuters/China Daily)

Farmers herd a flock of ducks along a street towards a pond as residents drive next to them in Taizhou, Zhejiang province, June 17, 2012. (Photo by Reuters/China Daily)
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09 Aug 2015 10:45:00
“The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)
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24 Oct 2017 08:20:00