“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.

Korean artist Seung Mo Park continues to amaze with his astonishingly crafted figurative sculptures made with tightly wrapped layers of aluminum wire based on fiberglass forms. The works shown here are part of the Brooklyn-based artist’s Human series where he recreates the delicate wrinkles and folds of clothing as well as the sinuous musculature of the human body in metallic layers remeniscent of tree rings. He’s also sculpted bicycles, musical insturments and other forms as part of his Object series.

See also: Karma by Do Ho Suh

With Haystack Rock in the background, Julie Amschler, of Springfield, Mo., walks along the beach on Thursday, June 13, 2024, in Cannon Beach, Ore. (Photo by Jenny Kane/AP Photo)

Dr. P.A. Smithe was sent by the American Red Cross as a doctor and surgeon to work at a hospital in Vienna. He sailed to Europe in December 1915 and returned home in August 1916, according to his daughter, who donated his images to the National World War I Museum. Photo: Turkish army, including cavalry, infantry and artillery. (Photo by Dr. P.A. Smithe/National World War I Museum, Kansas City, Mo.)