Brazil's forward Debinha (up) vies with Jamaica's goalkeeper Sydney Schneider during the France 2019 Women's World Cup Group C football match between Brazil and Jamaica on June 9, 2019, at the Alpes Stadium in Grenoble, central-eastern France. (Photo by Emmanuel Foudrot/Reuters)

A boy does a bicycle kick as he practises on the Marina beach ahead of the World Cup soccer tournament in Brazil, in Chennai June 4, 2014. REUTERS/Babu

The players of Denmark huddle prior to the FIFA Women's World Cup qualifier match between Denmark and Sweden at Viborg Stadion on September 4, 2018 in Viborg, Denmark. (Photo by Lars Ronbog/FrontZoneSport via Getty Images)

United States' defender Crystal Dunn (R) vies for the ball with Sweden's forward Sofia Jakobsson during the France 2019 Women's World Cup Group F football match between Sweden and USA, on June 20, 2019, at the Oceane Stadium in Le Havre, northwestern France. (Photo by Bernadett Szabo/Reuters)

Brazil's Kathellen in action with Australia's Alanna Kennedy during the Australia vs Brazil, Group C match at the FIFA Women's World Cup at Stade La Mosson Stadium on June 13th 2019 in Montpellier, France. (Photo by Eric Gaillard/Reuters)

#14 Kathellen of Brazil show her dejection after the 2019 FIFA Women's World Cup France Round Of 16 match between France and Brazil at Stade Oceane on June 23, 2019 in Le Havre, France. (Photo by Yves Herman/Reuters)

Players of the USA celebrate in the dressing room following their team's victory in the 2019 FIFA Women's World Cup France Final match between The United States of America and The Netherlands at Stade de Lyon on July 07, 2019 in Lyon, France. (Photo by Maddie Meyer – FIFA/FIFA via Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)