A man looks at a photograph by French photographer Robert Doisneau entitled “The Fate Line: Pablo Picasso at Vallauris, 1952” during the presentation of the photo-exhibition “Picasso, photographer's gaze”, on June 5, 2019 at the Picasso Museum in Barcelona. (Photo by Lluis Gene/AFP Photo)

The stunning shots capture the moment a female bear and her two cubs enjoyed the last warm rays of the sun at the Arctic National Wildlife Refuge in Kaktovik, Alaska. The bears can be seen gazing at the vibrant sunset and appear to revel in the tranquil moment as they bask in the array of colors. (Photo by Sylvain Cordier/Caters News)

Though it is often said that the human eye can be revealing about a person, Jakarta-based Indonesian artist Veri Apriyatno's series titled The Witnesses reveals a lot more about a person's surroundings through the reflection of their eyes. Each hyperrealistic mixed media creation in the series (made with charcoal, pencil, and acrylics on canvas) presents an entire world within the gaze of a glistening eye.

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)

At first glance, you may think you’re just gazing upon serene sunsets, breathtaking landscapes and peaceful coves of distant lands. It’s not until you realise the settings are made entirely from food that you can feast your eyes over the magnificence of Carl Warner’s “foodscapes”. Photo: “Salami Tuscany”. (Photo by Carl Warner)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)

Pedestrians and traffic cross Tower Bridge as viewed through a glass viewing platform on the high-level Walkways during a preview to launch the new viewing experience at the Tower Bridge Exhibition centre in London on November 10, 2014. The new glass flooring at the Tower Bridge Exhibition 42 metres above the river Thames will allow visitors to gaze down on the bridge and river and allow them to experience the bridge opening from above. (Photo by Andrew Cowie/AFP Photo)

A women attends a class at a driving school in Kabul August 17, 2014. Kabul is one of the world's fastest growing cities and its streets are increasingly blocked by cars and buses. In the city's private driving schools, students pay a $60 fee for a 45-day course, which includes oral and practical driving tests at the country's Traffic Department. Some of the women who have signed up say learning to drive is a way to escape unwanted gazes and physical harassment on the cramped, crowded minibuses that are often the only method of urban public transport. (Photo by Mohammad Ismail/Reuters)