An inventive make-up artist has started using her chin as a canvas for unique paintings of popular cartoon characters. Using her own mouth as the teeth and lips of her subjects, stunning Laura Jenkinson, 25, paints around them using theatrical make-up to create the pint-sized portraits. Shrek, Finding Nemo’s Dory and the Genie from Aladdin have all featured in the series of incredible pictures that she has spent a year putting together. Her pictures have gone viral on facebook and Instagram where her posts regularly receive more than 1500 likes. Here, Bugs Bunny from “Looney Tunes” is depicted on Jenkinson. (Photo by Laura Jenkinson/Caters News)

John Malkovich as Marilyn Monroe in a re-creation of Andy Warhol's 1962 painting. The image is a part of the series, “The Malkovich Sessions”, by photographer Sandro Miller and on display at the Catherine Edelman Gallery in Chicago. Miller wanted to pay homage to the artists who influence his photographic career, and approached Malkovich with the idea of re-creating the famous portraits. (Photo by Sandro Miller/Catherine Edelman Gallery)

U.S. Secretary of State John Kerry and Mongolian Foreign Minister Lundeg Purevsuren watch an archer during a Naadam ceremony, a competition which traditionally includes horse racing, Mongolian wrestling and archery, in Ulan Bator, Mongolia, June 5, 2016. (Photo by Saul Loeb/Reuters)

An inventive make-up artist has started using her chin as a canvas for unique paintings of popular cartoon characters. Using her own mouth as the teeth and lips of her subjects, stunning Laura Jenkinson, 25, paints around them using theatrical make-up to create the pint-sized portraits. Shrek, Finding Nemo’s Dory and the Genie from Aladdin have all featured in the series of incredible pictures that she has spent a year putting together. Her pictures have gone viral on facebook and Instagram where her posts regularly receive more than 1500 likes. Here, Bugs Bunny from “Looney Tunes” is depicted on Jenkinson. (Photo by Laura Jenkinson/Caters News)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.