The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.

At the Krasnopresnenskaya station, the benches come from the Cathedral of Christ-Sauveur, which was built from 1839 to 1883 in memory of the victory of Russia against the army of Napoleon I. The cathedral was destroyed under Stalin in 1931, but the benches remained intact. Metro architects decided to install them in some stations. (Photo by Didier Bizet/The Washington Post)

Latvia-based graphic artist and illustrator Alex Konahin recently completed work on a new series of ornate. The illustrations were made using pens and india ink in his distinctive style that makes used of ornate scrolls and intricate floral designs.

People make pictures in a Soviet-era vintage subway car, with a Soviet railways emblem on the side of it, parked in the Partizanskaya subway station in Moscow, Russia, Friday, May 15, 2015. Vintage Soviet-era metro cars were exhibited at the Partizanskaya subway station as part of festivities marking the 80th anniversary of the Moscow subway on Friday. (Photo by Pavel Golovkin/AP Photo)

Beneath the Swedish capital lies an intricate web of underground train lines. More than 90 of the 100 stations in the 110km tunnel system, sometimes referred to as “the world’s longest art gallery”, have been decorated with paintings, installations, mosaics and sculptures by 150 artists since the 1950s. After spending a couple of weeks exploring arctic Norway and Sweden, London-based travel photographer Conor MacNeill headed underground to capture images of the metro stations. Here: A rainbow arcs over a girl on the platform of Stadion station. (Photo by Conor MacNeill/The Observer)