American artist Robert Wechsler has realized a series of sculptural cubes made from thousands of pennies titled “The Mendicant“. Cubes achieved by notching and joining pennies in perfect orientation to one another. Joined at perpendicular angles, the coins create a lattice structure allowing tunnel like passages of light from certain angles. As one moves around them, the cubes seem to fluctuate from material to ethereal. The number of pennies increases exponentially with the size of the cube. Pictured here are three cubes differentiated with subtitles indicating the exact quantity used.

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.

Massive, roiling, atomic explosions are the central subjects of The Sickness of Reason, Robert Longo's exhibition of large, highly detailed, and intensely black charcoal drawings.

“Frank Uyttenhove is an exceptionally talented photographer and film director. He has an extensive career, which has seen many interesting projects and many awards”. – Tim Mitchell

Born in 1958 in Abbazia, Italy, Frank Horvat is considered one of the founding fathers of French fashion photography. Frank Horvat: Storia di un Fotografo is on at Palazzo Chiablese Musei Reali, Turin, until 16 June. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)

Frank Melech is a german artist that works with illustration and digital compositing. What we’re bringing you here today is a slice of such work that we thought, besides remarkably talended, highly creative, because Frank Melech starts with a light bulb, a universal symbol of Idea but also a metaphor for an enclosed but transparent world, and inserts in them precisely other worlds and ideas.

Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)