Ruslan Arslanbayev of Russia works on his creation during the Sand Sculpture Festival “Sand Fantasy” in Almaty, Kazakhstan, April 15, 2016. (Photo by Shamil Zhumatov/Reuters)

The city of Meroë laid undiscovered for two millennia before British archaeologist John Garstang excavated it in the early 20th century. Garstang took the radical decision to document his discoveries with photography – and immortalised an ancient world. “Meroë: Africa’s Forgotten Empire” is being shown until 14 September at Garstang Museum of Archaeology, Liverpool. Here: A group visiting the excavations at Meroë, including (from left) Midwinter Bey, director of Sudan Railways; Lord Kitchener; General Sir Francis Reginald Wingate, Sirdar of the Egyptian Army; Professor Archibald Sayce; John Garstang; and Lady Catherine Wingate, 1911. (Photo by Garstang Museum of Archaeology)

A s*x worker (C) stages a performance to denounce what they say is abuse and social stigma against them in Madrid, Spain, October 14, 2015. Placard reads "Prostitutes are the ones that make the streets dirty". (Photo by Andrea Comas/Reuters)

A massive sand storm cloud is close to enveloping a military camp as it rolls over Al Asad, Iraq, April 27, 2005. (Photo by Cpl. Alicia M. Garcia, U.S. Marine Corps/Reuters/U.S. Department of Defense)

In this Wednesday, March 18, 2015 photo, limestone quarry workers walk through a cloud of dust spewed into the air by rotor blades of the stone-cutting machinery in the desert of Minya, southern Egypt. Around 45,000 people, including children, work in an estimated 1,500 quarries, digging out stones that later will be used in construction or powdered to be used by pharmaceutical and ceramic companies. (Photo by Mosa'ab Elshamy/AP Photo)

A tourist stands at an edge of the singing sand, the 150-metre-high by three-kilometre-long dune that generates a low-pitched, organ-like rumble in dry weather, in Altyn-Emel national park in Almaty region, Kazakhstan, May 12, 2016. (Photo by Shamil Zhumatov/Reuters)

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.

A woman stands in a gift shop in central Rason city, part of the special economic zone northeast of Pyongyang, in this August 30, 2011 file photo. North Korea is a militarized, male-dominated society, but it is women who are making the money as the insular nation allows an unofficial market-based economy to take shape. (Photo by Carlos Barria/Reuters)