“Kirill Oreshkin of Moscow is crazy. Without the aid of equipment or safety gear, Oreshkin climbs buildings, statues, and whatever he can get his hands on to dizzying heights and then takes the most gorgeous selfies imaginable”. (Photo by Kirill Oreshkin)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

“Pink Portrait” series by Scott Scheidly makes a slightly different and more literal use of the glamorization; by making the subjects glamorous. Napoleon stuns with a flower crest and pink shoulder tassels, Stalin earns medals of heart and butterfly, rocks a tiny pink earring, and a uniform Elle Woods would be proud of, while Clint Eastwood gets ready to face off in a gorgeous lavender shawl. These guys may be tough, but they all look pretty in pink.

Expedition 44 flight engineer and NASA astronaut Scott Kelly seen inside the Cupola, a special module which provides a 360-degree viewing of the Earth and the International Space Station. Kelly is one of two crew members spending an entire year in space. (Photo by Scott Kelly/NASA)

Scott Brundage was born and raised in Connecticut. He began his career while studying at the University of Arts in Philadelphia. He lives and works in New York. Collaborates with The Wall Street Magazine, The New York Times, The Washington Post, The Artist’s Magazine and etc.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

Though finger painting is normally associated with tempera paint and messy classroom art projects, Iris Scott is quickly changing what "finger painting" brings to mind. Wearing surgical gloves and painting with high grade oils, Iris achieves a whirlwind of crisscrossing color strokes and a vibrant impressionistic style. Since 2009, when Iris first began finger painting in Taiwan, her artistic career has caught her by surprise. Grateful for a new global market of online art collectors, Iris has shipped to Dubai, Ireland, and all over the USA.