A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

Stagecoach tests the amphibious bus, on the River Clyde on February 9, 2010 in Glasgow, Scotland. The Ј700,000 Dutch made amfibus could eventually replace the existing ferry service which is being scraped in March due to costs. (Photo by Jeff J Mitchell/Getty Images)

A woman watches rescue operations after a bus and a truck crashed on the road that links the Honduran capital with the south of the country, near Germania, 11 km south of Tegucigalpa on February 5, 2017. At least 12 people were killed and 35 injured of some 70 who were on board the bus. (Photo by Orlando Sierra/AFP Photo)

A woman is supported by two men while crossing a river, north of Idomeni, Greece, as migrants attempt to reach Macedonia on a route that would bypass the border fence, Monday, March 14, 2016. Hundreds of migrants and refugees walked out of an overcrowded camp on the Greek-Macedonian border Monday, determined to use a dangerous crossing to head north. (Photo by Vadim Ghirda/AP Photo)

A runner traverses the route during the Mount Everest Challenge Marathon which winds past spectacular views of Everest and Kanchenjunga at Sandakphu National Park in the month of November 1995 near Darjeeling, India.

Israeli police inspectors stand next to a bus damaged in an explosion March 23, 2011 in Jersalem, Israel. A bomb exploded near a crowded bus, wounding passengers in what appeared to be the first militant attack in the city in several years.

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home