Wojtek Kwiatkowski probably the most famous horse photographer. He is an author and a publisher of books about Arabians breeding all over the world.

A reflection of the Alps mountain “Nordkette” is seen in the ski googles of Anders Bardal of Norway during the training round of the FIS Ski Jumping World Cup event at the 60th Four Hills ski jumping tournament at Bergisel on January 3, 2012 in Innsbruck, Austria. (Photo by Alexander Hassenstein/Bongarts/Getty Images)

Claire McGuire (C) smiles after winning the women's snowboard division of the Bikini & Board Shorts Downhill at Crystal Mountain, a ski resort near Enumclaw, Washington April 19, 2014. Skiers and snowboarders competed for a chance to win one of four season's passes. (Photo by David Ryder/Reuters)

Saudi youths demonstrate a stunt known as “sidewall skiing” (driving on two wheels) in the northern city of Hail, in Saudi Arabia March 30, 2013. Performing stunts such as sidewall skiing and drifts is a popular hobby amongst Saudi youths. (Photo by Mohamed Al Hwaity/Reuters)

A woman wearing a swim suit skis during the Naked Pig Skiing Carnival at the Yabuli Ski Resort on March 24, 2018 in Harbin of Heilongjiang Province, northeast China. (Photo by Tao Zhang/Getty Images)

A girl in a swimsuit participates in the BoogelWoogel alpine carnival at the Rosa Khutor Alpine Resort in Krasnaya Polyana, Sochi, Russia on March 31, 2018. (Photo by Artur Lebedev/TASS)

Storm chasing photographer Mike Hollingshead makes a living following the worst storms in America, from snarling tornadoes chewing up the Kansas farmland to supercell thunderstorms massing over the Dakotas. His style is to get right in the path of the storm. While he says it’s less scary than you think – because most of the storm consists of heavy rain – it’s still extremely stressful. Photo: Vivid sunset under severe storm in central Nebraska August 17, 2005. (Photo by Mike Hollingshead)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.