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A visitor photographs American artist Kerry James Marshall's 2009 “Untitled” acrylic painting, during a press preview for the inaugural exhibition at The Met Breuer museum, Tuesday, March 1, 2016, in New York. The Metropolitan Museum of Art throws open the doors March 18 to its new modern and contemporary art outpost, The Met Breuer.  The new space is a short walk from the Met's Fifth Avenue headquarters. (Photo by Bebeto Matthews/AP Photo)

A visitor photographs American artist Kerry James Marshall's 2009 “Untitled” acrylic painting, during a press preview for the inaugural exhibition at The Met Breuer museum, Tuesday, March 1, 2016, in New York. The Metropolitan Museum of Art throws open the doors March 18 to its new modern and contemporary art outpost, The Met Breuer. The new space is a short walk from the Met's Fifth Avenue headquarters. It's housed at the Marcel Breuer-designed building that was the longtime home of the Whitney Museum of American Art before it moved downtown last year. (Photo by Bebeto Matthews/AP Photo)



A visitor views a drawing from Indian artist Nasreen Mohamedi, from her first retrospective in the U.S., during a press preview of the inaugural exhibition at The Met Breuer museum, Tuesday, March 1, 2016. (Photo by Bebeto Matthews/AP Photo)

A visitor views a drawing from Indian artist Nasreen Mohamedi, from her first retrospective in the U.S., during a press preview of the inaugural exhibition at The Met Breuer museum, Tuesday, March 1, 2016. (Photo by Bebeto Matthews/AP Photo)



French artist “ORLAN” poses next to photographic portraits of herself at the Victoria and Albert museum in London, Britain, March 2, 2016. She underwent cosmetic surgery to resemble Botticelli's Venus and her photographic documentation of this procedure forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli. (Photo by Toby Melville/Reuters)

French artist “ORLAN” poses next to photographic portraits of herself at the Victoria and Albert museum in London, Britain, March 2, 2016. She underwent cosmetic surgery to resemble Botticelli's Venus and her photographic documentation of this procedure forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli. (Photo by Toby Melville/Reuters)



A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016.  The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)



Details are seen on a Dolce & Gabbana trouser suit from a 1993 collection at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)

Details are seen on a Dolce & Gabbana trouser suit from a 1993 collection at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)



A museum employee views two paintings entitled “Venus” by Sandro Botticelli at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)

A museum employee views two paintings entitled “Venus” by Sandro Botticelli at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)



A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol with a Dolce & Gabbana dress seen in the foreground at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol with a Dolce & Gabbana dress seen in the foreground at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)



French artist “ORLAN” poses next to a photographic portrait of herself superimposed with Botticelli's Venus at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)

French artist “ORLAN” poses next to a photographic portrait of herself superimposed with Botticelli's Venus at the Victoria and Albert museum in London, Britain, March 2, 2016. (Photo by Toby Melville/Reuters)



Conservationist Sarah Pinchin, 41, inspects her teams work on Rubens ceiling painting “Wise rule of James 1st” and shines a light on an image of James 1st during restoration work at Banqueting House on March 1, 2016 in London, England. The Banqueting House is the only remaining part of the Palace of Whitehall, once the largest Palace in Europe but destroyed by fire in 1698. Visitors can see the magnificent ceiling painted by Sir Peter Paul Rubens. It is currently being renovated and will re-open to the public on April 1st. (Photo by Chris Ratcliffe/Getty Images)

Conservationist Sarah Pinchin, 41, inspects her teams work on Rubens ceiling painting “Wise rule of James 1st” and shines a light on an image of James 1st during restoration work at Banqueting House on March 1, 2016 in London, England. The Banqueting House is the only remaining part of the Palace of Whitehall, once the largest Palace in Europe but destroyed by fire in 1698. Visitors can see the magnificent ceiling painted by Sir Peter Paul Rubens. It is currently being renovated and will re-open to the public on April 1st. (Photo by Chris Ratcliffe/Getty Images)



Conservationist Sarah Pinchin, 41, inspects her teams work on Rubens ceiling painting “Apotheosis of James 1st” during restoration work at Banqueting House on March 1, 2016 in London, England. (Photo by Chris Ratcliffe/Getty Images)

Conservationist Sarah Pinchin, 41, inspects her teams work on Rubens ceiling painting “Apotheosis of James 1st” during restoration work at Banqueting House on March 1, 2016 in London, England. (Photo by Chris Ratcliffe/Getty Images)



Artist Romina de Novellis, of Italy, is sits in a screen cage as part of her performance piece “The Cage”, in which she is locked in the cage and fills the walls with flowers, during the preview day of the 22nd annual Armory Show art fair at piers 92 and 94 in New York, New York, USA, 02 March 2016. The annual event brings together international galleries and artist to New York each year and runs from 03 March to 06 March. (Photo by Justin Lane/EPA)

Artist Romina de Novellis, of Italy, is sits in a screen cage as part of her performance piece “The Cage”, in which she is locked in the cage and fills the walls with flowers, during the preview day of the 22nd annual Armory Show art fair at piers 92 and 94 in New York, New York, USA, 02 March 2016. The annual event brings together international galleries and artist to New York each year and runs from 03 March to 06 March. (Photo by Justin Lane/EPA)



Resident Gonzalo Sanchez paints “The Woman in Red Bikini” on a mango tree, to replicate the figure of a woman wearing a bikini, at the corner of a street in the neighborhood of Escazu in San Jose, Costa Rica, March 1, 2016. (Photo by Juan Carlos Ulate/Reuters)

Resident Gonzalo Sanchez paints “The Woman in Red Bikini” on a mango tree, to replicate the figure of a woman wearing a bikini, at the corner of a street in the neighborhood of Escazu in San Jose, Costa Rica, March 1, 2016. (Photo by Juan Carlos Ulate/Reuters)



“The Woman in Red Bikini”, a replica of the figure of a woman wearing a bikini and painted on a mango tree by resident Gonzalo Sanchez, is seen at the corner of a street in the neighborhood of Escazu in San Jose, Costa Rica, March 1, 2016. (Photo by Juan Carlos Ulate/Reuters)

“The Woman in Red Bikini”, a replica of the figure of a woman wearing a bikini and painted on a mango tree by resident Gonzalo Sanchez, is seen at the corner of a street in the neighborhood of Escazu in San Jose, Costa Rica, March 1, 2016. (Photo by Juan Carlos Ulate/Reuters)



A boy looks at a mango tree painted by resident Gonzalo Sanchez and named “The Woman in Red Bikini”, to replicate the figure of a woman wearing a bikini, at the corner of a street in the neighborhood of Escazu in San Jose, Costa Rica, March 1, 2016. (Photo by Juan Carlos Ulate/Reuters)

A boy looks at a mango tree painted by resident Gonzalo Sanchez and named “The Woman in Red Bikini”, to replicate the figure of a woman wearing a bikini, at the corner of a street in the neighborhood of Escazu in San Jose, Costa Rica, March 1, 2016. (Photo by Juan Carlos Ulate/Reuters)
03 Mar 2016 11:08:00