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A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. Here: “Black machine” mural painting and installation on the Colosseo theater in Turin, Italy, in September 2015. (Photo by NeverCrew/The Huffington Post)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. Here: “Black machine” mural painting and installation on the Colosseo theater in Turin, Italy, in September 2015. (Photo by NeverCrew/The Huffington Post)



“Signalling machine” mural painting for Urban Canvas in Varese, Italy, in 2015. (Photo by NeverCrew/The Huffington Post)

“Signalling machine” mural painting for Urban Canvas in Varese, Italy, in 2015. (Photo by NeverCrew/The Huffington Post)



“See through / see beyond” mural painting and installation for St+Art India in New Delhi in January 2016. (Photo by NeverCrew/The Huffington Post)

“See through / see beyond” mural painting and installation for St+Art India in New Delhi in January 2016. (Photo by NeverCrew/The Huffington Post)



“Ordering machine” mural painting for Grenoble Street Art Fest in Grenoble, France, 2016. (Photo by NeverCrew/The Huffington Post)

“Ordering machine” mural painting for Grenoble Street Art Fest in Grenoble, France, 2016. (Photo by NeverCrew/The Huffington Post)



“Inhuman barriers” mural painting that addresses the theme of immigration realized for “Cities of hope” in Manchester, U.K., in support to the local solidarity group WASP (Women Asylum Seekers Together), 2016. (Photo by NeverCrew/The Huffington Post)

“Inhuman barriers” mural painting that addresses the theme of immigration realized for “Cities of hope” in Manchester, U.K., in support to the local solidarity group WASP (Women Asylum Seekers Together), 2016. (Photo by NeverCrew/The Huffington Post)



“Imitation of Life no9” (or “Evolutive Machine no1”) mural painting realized in the context of Mikser Festival in Belgrade, Serbia, in June 2014. (Photo by NeverCrew/The Huffington Post)

“Imitation of Life no9” (or “Evolutive Machine no1”) mural painting realized in the context of Mikser Festival in Belgrade, Serbia, in June 2014. (Photo by NeverCrew/The Huffington Post)



“Detecting machine n.1” mural painting for “Wall Therapy” in Rochester, New York, co-curated by Urban Nation Berlin, 2015. (Photo by NeverCrew/The Huffington Post)

“Detecting machine n.1” mural painting for “Wall Therapy” in Rochester, New York, co-curated by Urban Nation Berlin, 2015. (Photo by NeverCrew/The Huffington Post)



“Privatization machine n.1” mural painting and installation for the Millerntor Gallery #5 in Hamburg, Germany, as part of the social art project to support “Viva con Agua” for worldwide water projects, 2015. (Photo by NeverCrew/The Huffington Post)

“Privatization machine n.1” mural painting and installation for the Millerntor Gallery #5 in Hamburg, Germany, as part of the social art project to support “Viva con Agua” for worldwide water projects, 2015. (Photo by NeverCrew/The Huffington Post)
13 Aug 2016 11:09:00