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A visitor looks at the painting “Pacific Coast Highway and Santa Monica, 1960” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)

A visitor looks at the painting “Pacific Coast Highway and Santa Monica, 1960” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)



People visit the “Hyper Portal” installation by Michela Picchi, part of the Milan Design Week Fuorisalone exhibition, in Milan, Italy, on April 7, 2025. (Photo by Claudia Greco/Reuters)

People visit the “Hyper Portal” installation by Michela Picchi, part of the Milan Design Week Fuorisalone exhibition, in Milan, Italy, on April 7, 2025. (Photo by Claudia Greco/Reuters)



People interact with an installation entitled “Making the Invisible Visible” by Google as part of the Fuorisalone 2025 event, on the eve of the Milan Design Week, in Milan, on April 7, 2025. (Photo by Piero Cruciatti/AFP Photo)

People interact with an installation entitled “Making the Invisible Visible” by Google as part of the Fuorisalone 2025 event, on the eve of the Milan Design Week, in Milan, on April 7, 2025. (Photo by Piero Cruciatti/AFP Photo)



Look Up My Nose, 2025, a large hanging fibreglass sculpture in London on April 16, 2025 modelled on the noses of Melville and Alexander Graham Bell, influential figures in Deaf history who advocated for the suppression of sign language in 1880. (Phoot by Guy Bell/Alamy Live News)

Look Up My Nose, 2025, a large hanging fibreglass sculpture in London on April 16, 2025 modelled on the noses of Melville and Alexander Graham Bell, influential figures in Deaf history who advocated for the suppression of sign language in 1880. (Phoot by Guy Bell/Alamy Live News)



The long-running photography fair, the Photography Show organized by the Association of International Photography Art Dealers (Aipad), returns to the Park Avenue Armory for the 44th edition of it on April 23, 2025, New York City, United States. (Photo by Selcuk Acar/Anadolu via Getty Images)

The long-running photography fair, the Photography Show organized by the Association of International Photography Art Dealers (Aipad), returns to the Park Avenue Armory for the 44th edition of it on April 23, 2025, New York City, United States. (Photo by Selcuk Acar/Anadolu via Getty Images)



David Shrigley on Monday, April 7, 2025 attends the unveiling of his 3-metre-tall praying mantis sculpture, “The Mantis Muse”, at the Horniman Museum in Forest Hill, south east London and will be on public display at the museum for the first time from tomorrow, April 8. (Photo by Jack Hall/PA Media Assignments)

David Shrigley on Monday, April 7, 2025 attends the unveiling of his 3-metre-tall praying mantis sculpture, “The Mantis Muse”, at the Horniman Museum in Forest Hill, south east London and will be on public display at the museum for the first time from tomorrow, April 8. (Photo by Jack Hall/PA Media Assignments)



The Crash wristwatch dated from 1967 is pictured during a photocall for the forthcoming Cartier exhibition at the V&A (Victoria and Albert) museum in London, on April 9, 2025. The exhibition features more than 350 objects, and charts the evolution of the Cartier house's legacy of art, design and craftsmanship since the turn of the 20th century. The exhibition is set to open to the public on April 12, 2025. (Photo by Justin Tallis/AFP Photo)

The Crash wristwatch dated from 1967 is pictured during a photocall for the forthcoming Cartier exhibition at the V&A (Victoria and Albert) museum in London, on April 9, 2025. The exhibition features more than 350 objects, and charts the evolution of the Cartier house's legacy of art, design and craftsmanship since the turn of the 20th century. The exhibition is set to open to the public on April 12, 2025. (Photo by Justin Tallis/AFP Photo)



Art technician Matthias Kessemeier cleans on Wednesday, April 9, 2025 the bronze sculpture “Oval with Points” at the Henry Moore Studios and Gardens as they prepare to reopen to the public on April 16 in Much Hadham, Hertfordshire, UK. Visitors can view Moore's sculptures in the 70 acres where they were recreated, as well as in his studios. (Photo by Joe Giddens/PA Wire)

Art technician Matthias Kessemeier cleans on Wednesday, April 9, 2025 the bronze sculpture “Oval with Points” at the Henry Moore Studios and Gardens as they prepare to reopen to the public on April 16 in Much Hadham, Hertfordshire, UK. Visitors can view Moore's sculptures in the 70 acres where they were recreated, as well as in his studios. (Photo by Joe Giddens/PA Wire)



The photographer Kevin Jay and artist Nigel Cox rotate the camera and use coloured LEDs to paint with light in a building near Alresford in Essex, UK on April 19, 2025. (Photo by Kevin Jay/Picture Exclusive)

The photographer Kevin Jay and artist Nigel Cox rotate the camera and use coloured LEDs to paint with light in a building near Alresford in Essex, UK on April 19, 2025. (Photo by Kevin Jay/Picture Exclusive)



Sculptor Saad Qureshi's 50ft tall sculpture Tower of Now, which was unveiled on Saturday 26 April 2025 on the perimeter of the newly-opened 2.5 acre Norfolk Gardens park in Bradford city centre, UK. The carved wooden structure, commissioned for Bradford's 2025 City of Culture year, brings together architectural elements from Bradford's diverse religious buildings in what the artist describes as a homage to the communities that make up the city and nurtured his creativity. Qureshi grew up in Bradford after moving with his parents from Pakistan at the age of eight. (Photo by Guzelian)

Sculptor Saad Qureshi's 50ft tall sculpture Tower of Now, which was unveiled on Saturday 26 April 2025 on the perimeter of the newly-opened 2.5 acre Norfolk Gardens park in Bradford city centre, UK. The carved wooden structure, commissioned for Bradford's 2025 City of Culture year, brings together architectural elements from Bradford's diverse religious buildings in what the artist describes as a homage to the communities that make up the city and nurtured his creativity. Qureshi grew up in Bradford after moving with his parents from Pakistan at the age of eight. (Photo by Guzelian)



Visitors look at the paintings “Going to be a Queen for Tonight, 1960” and "Play Within a Play, 1963" by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)

Visitors look at the paintings “Going to be a Queen for Tonight, 1960” and "Play Within a Play, 1963" by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)



A visitor takes a picture of the painting “Portrait of an Artist (Pool with Two Figures), 1972” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)

A visitor takes a picture of the painting “Portrait of an Artist (Pool with Two Figures), 1972” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)



A visitor looks at the painting “25th June 2022, Looking at the Flowers (Framed)” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)

A visitor looks at the painting “25th June 2022, Looking at the Flowers (Framed)” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)



General views of “Whale on the Wharf (Skyscraper)”, a four-storey tall sculpture, as it is unveiled to the public at Canary Wharf’s Wood Wharf, London on Thursday, April 10, 2025. The sculpture is designed to spread awareness of the ocean plastic crisis. It is made from waste found on Hawaiian beaches and concrete made of spent coffee grounds from nearby cafes and restaurants. It is the latest artwork to join the UK’s largest free to visit public art collection, at Canary Wharf. (Photo by Matt Alexander/PA Media Assignments)

General views of “Whale on the Wharf (Skyscraper)”, a four-storey tall sculpture, as it is unveiled to the public at Canary Wharf’s Wood Wharf, London on Thursday, April 10, 2025. The sculpture is designed to spread awareness of the ocean plastic crisis. It is made from waste found on Hawaiian beaches and concrete made of spent coffee grounds from nearby cafes and restaurants. It is the latest artwork to join the UK’s largest free to visit public art collection, at Canary Wharf. (Photo by Matt Alexander/PA Media Assignments)



Visitors look at the painting ”Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)

Visitors look at the painting ”Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)
31 May 2025 02:06:00