The classical ballet company “Ardentia” performs in the street of Mexico City on traffic lights, in an effort to highlight the city's fine arts in public spaces in Mexico, September 8, 2018. (Photo by Carlos Jasso/Reuters)

This photo taken on March 29, 2017 shows a young woman offering shots of liquer at a dance bar in Walking Street in Pattaya. Two hours east of Bangkok, Pattaya's bawdy reputation hails from the Vietnam War era when US GIs partied in their downtime. (Photo by Roberto Schmidt/AFP Photo)

A woman sits on a terrace at Tiki hostel in Cantagalo favela, in Rio de Janeiro, Brazil, April 16, 2016. Hostels in a few of Rio's more than 1,000 slums serve not only as a cheap housing alternative for the more adventurous among the estimated 500,000 foreign tourists expected to arrive for the Olympics in August. The establishments also open up the rich culture of the city's shantytowns for travellers, giving them a glimpse into once “no-go” areas where about one-fifth of Rio's population lives. (Photo by Pilar Olivares/Reuters)

A person stands near the “Untitled” installation of miniature elevators by Maurizio Cattelan at a preview of the Postwar and Contemporary Art Evening Sale at Christie's auction house on November 4, 2011 in New York City. The 33-inch functioning elevator installation is expected to realize $400,000-$600,000 at the November 8 auction. (Photo by Mario Tama/Getty Images)

“It’s the end of the world, baby!” screams the title of the new 2012 calendar from Campari. Sensing the Mayan calendar’s apocalyptic spirit, Campari created a protagonist in supermodel Milla Jovovich to storm through the end of the world holding glasses and bottles of the red aperitif, all while dressed in impeccable couture. (Photo by Dimitri Daniloff/Campari)

146 West End Stars hold a flashmob in support of the non-profit organistation Love 146, which campaigns to end child s*x slavery and exploitation, at Trafalgar Sqaure on April 11, 2011 in London, England. (Photo by Tim Whitby/Getty Images)