Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

Festive decorations and illumination lights for the upcoming New Year and Christmas season are unveiled in Minsk, Belarus on December 15 , 2019. (Photo by Vasily Fedosenko/Reuters)

A man sits under lanterns and decorations on a street ahead of the Chinese Lunar New Year in Chinatown Yangon, Myanmar January 23, 2017. (Photo by Soe Zeya Tun/Reuters)

A woman holds thre dogs by a make shift leash amongst the debris left behind by a tornadon on February 7, 2017 in New Orleans, Louisiana. (Photo by Sean Gardner/Getty Images)

A Thai and foreign revelers battle with water guns during the annual Songkran celebration at Khaosan Road, a tourist spot in Bangkok, Thailand, 12 April 2017. The four southeast Asian nations of Myanmar, Thailand, Cambodia and Laos started the Buddhist new year, known as Thingyan in Myanmar and Songkran in Thailand, on April 13. (Photo by Rungroj Yongrit/EPA)

A Nepalese Gurung community woman, wearing traditional attire, prepares to participate in a parade to mark their New Year known as “Tamu Loshar” in Kathmandu, Nepal, Friday, December 30, 2016. The indigenous Gurungs, also known as Tamu, are celebrating the advent of the year of the bird. (Photo by Niranjan Shrestha/AP Photo)

These powerful images capture the spear-wielding tribes of Papua new Guinea who believe they are possessed with the spirit of the crocodile. They show how the Kangunaman clansmen scar their backs to resemble reptile scales while the Huli Wigmen wear elaborate headdresses to signal they are ready for battle. (Photo by Trevor Cole/Media Drum World)