Four-month-old fox cubs squaring up to each other in Walthamstow, England on August 7, 2015. (Photo by Greg Morgan/Barcroft Media)

People walk through Ginza’s shopping district in Tokyo, Japan, 15 December 2025. Japan’s economic focus is on the upcoming Bank of Japan (BOJ) meeting where the central bank is expected to raise its policy rate to combat inflation. The BOJ signaled a rate hike bar is cleared with the wage momentum still intact. (Photo by Franck Robichon/EPA)

A trader speaks on the phone at his desk at the Frankfurt stock exchange, Germany, in this June 29, 2015 file photo. Federal Reserve policymakers are widely seen raising interest rates for the first time in almost a decade at their next meeting this week. (Photo by Ralph Orlowski/Reuters)

A model walks the runway at the Hakaan Spring Summer 2012 fashion show during Paris Fashion Week on October 4, 2011 in Paris, France. (Photo by Nathalie Lagneau/Catwalking/Getty Images)

So “Anonymous Russian homeless vs PSY – GANGNAM STYLE”... In my opinion this is quite sad video (though participants obviously have contrary opinion). However it's you to judge. Video was shot somewhere on open spaces of Russia in September 2012. Enjoy if you can.

We already wrote about the Russian “Serebro” trio. Good trio, passionate. We recommend you their last music video. Very fierily (but don't show to children). Have a nice weekend! And... God bless Russia! %)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Erzhena Zhamyanova (“Amar Sain” theater) and Buryat folk instruments orchestra – Dance Monkey. “Dance Monkey” is a song by Australian singer Tones and I, released on May 10, 2019 as the second single (first in the US) from Tones and I's debut EP The Kids Are Coming.