A reveler strikes a pose during an unofficial carnival block party referred to as “blocos”, in Rio de Janeiro, Brazil, Saturday, February 26, 2022. City Hall banned all blocos, the tightly packed street parties attended by those who cannot or don't want to buy pricey tickets for the official parade at the Sambadrome, due to a wave of the Omicron variant. (Photo by Silvia Izquierdo/AP Photo)

Visitors view the work entitled “Golden Jubilee” by Chinese artist Xin Dongwang at the “Extension and Integration: A Circuit Exhibition In Hubei Of Study on the Modern Chinese Oil Painting” at the Hubei Museum of Art on March 8, 2009 in Wuhan of Hubei Province, China. (Photo by China Photos/Getty Images)

A woman takes pictures with the Kawazu cherry blossom trees, one of the earliest blooming cherry blossoms in Japan, in Tokyo's Sumida district on March 11, 2024. (Photo by Philip Fong/AFP Photo)

Pro-Palestian protesters yell at Orlando Police Department officers after they took two protesters into custody and deployed a noxious gas into the crowd during a rally in Orlando, Fla., Saturday, May 11, 2024. (Photo by Willie J. Allen Jr./Orlando Sentinel via AP Photo)

Class of 2027 plebes climb during the Herndon Monument Climb at the U.S. Naval Academy, Wednesday, May 15, 2024, in Annapolis, Md. Freshmen, known as Plebes, participate in the climb to celebrate finishing their first year at the academy. The climb was completed in two hours, nineteen minsters and eleven seconds to complete. (Photo by Tom Brenner/AP Photo)

A robot, developed by start-up firm Asimov Robotics, holds a tray with face masks and sanitizer after the two robots were launched to spread awareness about the coronavirus, in Kochi, India, March 17, 2020. (Photo by Sivaram V/Reuters)

A man designs a face mask with the photograph of a customer printed on it, amid the spread of the coronavirus disease (COVID-19), at a photo studio in Gandhinagar, India, May 27, 2020. (Photo by Amit Dave/Reuters)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.