Yolanda Hadid and Bella Hadid attend the 2018 Victoria's Secret Fashion Show After Party on November 8, 2018 in New York City. (Photo by Stephen Lovekin/WWD/Rex Features/Shutterstock)

Girls sit inside an empty classroom as they pose for a photograph during a celebration marking the end of the school year in the town of Douma, eastern Ghouta in Damascus, Syria May 21, 2016. (Photo by Bassam Khabieh/Reuters)

A Thai visitor appears to be frightened by a life-size Velociraptor model also known as Raptor at the Dinosaur Planet theme park in Bangkok, Thailand, 25 March 2016. The 500 million baht (14 million US dollars or 12 million euro) theme park opening in the Thai capital aimed to attract more than 15,000 visitors a day featuring a chance to experience more than 200 dinosaurs from various species that are brought back to life. (Photo by Rungroj Yongrit/EPA)

Early morning shark Sean McKeon pictured during severe flooding Oliver Plunkett street, Cork city, on February 3, 2014. (Photo by Daragh McSweeney/Provision)

A group of costumed fans attend Comic-Con International at San Diego Convention Center on July 12, 2015 in San Diego, California. (Photo by Daniel Knighton/Getty Images)

Emily Ratajkowski attends the 2017 Weinstein Company and Netflix Golden Globes after party on January 8, 2017 in Los Angeles, California. (Photo by Broadimage/Rex Features/Shutterstock)

Close Encounter of the Insect Kind: “Check out the awesome face on this praying mantis. I can't get over the mouth, it's like something from a science fiction movie. Of all photographic styles macro is definitely my favorite. I am constantly amazed, in every photo that I take, by the intricate level of detail that exists on even the smallest of creatures. It's a stark reminder that a very complex and infinitely beautiful world exists just beyond our human-sized level of perception. Photo taken in Donnybrook, Queensland, Australia” – Andrew Young. (Photo by Andrew Young/National Geographic Photo Contest via The Atlantic)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.