An artist carries a clay statue of Lord Vishwakarma to the market for sale before the Vishwakarma Puja festival in Nepal, Kathmandu on September 16, 2025. The festival, celebrated on September 17 this year, honors Lord Vishwakarma, regarded as the divine engineer and craftsman, and involves prayers for creativity, prosperity, and protection of tools and workplaces. (Photo by Safal Prakash Shrestha/ZUMA Press Wire/Rex Features/Shutterstock)

A man holds a child after rescuing him from a kindergarten affected by a fire at a commercial building, in Ningde, Fujian province, China, September 16, 2015. According to local media, more than 260 people were evacuated due to the fire, which broke out Wednesday morning. No causalities have been reported and the cause of it is still unknown. (Photo by Reuters/China Daily)

Visitors look at an installation by Olaf Metzel at the exhibition “ARTandPRESS” at Martin Gropius Bau on March 26, 2012 in Berlin, Germany. The exhibition shows works by artists who have interpreted the medium of newspapers and is open from March 23 to June 24. (Photo by Sean Gallup/Getty Images)

“I am Kylie, a young digital artist based in Singapore. I am inspired by things like shyness and dreams and escapism”. – Kylie Woon. Photo: Temporary blindness. (Photo by Kylie Woon)

The last series of Sam Taylor-Wood's that I have looked into is called Bram Stoker's Chair. This series links with her Suspended series in that they both show the artist seemingly poised in mid-air. These photos have the added element of the chair being there for her to balance on, giving her more of a physical connection with her surroundings.

Dachshunds are seen during a performance and art installation titled “Dachshund U.N.” at the Melbourne Museum on May 15, 2010 in Melbourne, Australia. The installation by Perth artist Bennett Miller is part of the New Wave Festival and sees 47 dachshunds representing national delegates taking part in a meeting of the United Nations' Commission on Human Rights, examining the role of the United Nations as a risk management organisation. (Photo by Lucas Dawson/Getty Images)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.