A woman, covered in mud, dances during the traditional “Bloco da Lama” or “Mud Block” carnival party, in Paraty, Brazil, Saturday, February 14, 2015. Revelers in the seaside colonial town threw themselves into deposits of black, mineral-rich slime, emerging covered head-to-toe in the sludge. Bikinis and trunks disappeared beneath the mud, which highlights both gym-pumped pectorals and beer-fed guts. (Photo by Leo Correa/AP Photo)

Aerial view of Taxodium Distichum in full blossom at a maze area of a wetland park on January 6, 2023 in Xiamen, Fujian Province of China. (Photo by Wu Wei/VCG via Getty Images)

A sign that reads “No more massacres LGBT” is seen to remember the victims of the Pulse nightclub mass shooting in Orlando, near the U.S. Embassy in Mexico City, Mexico, June 14, 2016. (Photo by Edgard Garrido/Reuters)

Dancers wait in the wings before performing in a full-dress rehearsal at the Moulin Rouge in Paris on September 8, 2021, two days ahead of the reopening of the cabaret following an 18-month closure amid the COVID-19 pandemic. Closed for a year and a half due to the pandemic, the Moulin Rouge and Le Lido, emblems of the crazy Parisian nights since 1889, are finally reopening. (Photo by Christophe Archambault/AFP Photo)

Participants make kimchi during an event where soldiers from the US, South Korea and residents collaborated by making the side dish for needy members of the local community in Dongducheon, Gyeonggi Province, about 38 kilometers north of Seoul, on November 22, 2023. Participants produced 2,500 kilograms of fresh kimchi, which was divided into 250 boxes and distributed to needy households in the local community after the event. (Photo by Anthony Wallace/AFP Photo)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

Glamour model and actress Sabrina seated on the knee of Arthur Askey. (Photo by Keystone/Getty Images). 1955