Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

Some people use paper as their canvas for creating works of art, Patrik Bundeli, on the other hand, uses Ping-Pong balls. His steady hand turns simple white balls into elaborate cartoonish faces. Some of his works feature black and white gothic visages, while others have adorable little snouts. The latter ones would make a wonderful addition to any working place, putting smiles on everyone’s faces. (Photo by Patrik Bundeli)

Award-winning photographer Barry Lewis has been picturing the weird and wonderful late-night Glastonbury experience for more than a decade. Shangri-La is a festival of contemporary performing arts held each year at Glastonbury festival, and Barry Lewis has documented its denizens. Here: Spa in Slumbarave’s Hotel Metropolis, Shangri-La, Glastonbury, 2009. (Photo by Barry Lewis/The Guardian)

When you first see the art works created by a Thai metalworker Ban Hun Lek, you are completely stunned by the level of detail of the metal sculptures that he creates. One of his most prominent creations is a full sized sculpture of a Hulk. The fact that this sculpture was created practically solely out of steel nuts adds to the rugged feeling of force that emanates from this creation. And if you think that this creation is amazing, you should look at his other works such as the Ganesha – the god of wisdom, knowledge and new beginnings, or the Predator. For that matter, almost every sculpture that he creates blows your mind away, making you wonder just how many hours has he put into making these amazing pieces of art. (Photo by BanHunLek)

If we were to burn NH4Cr2O7 with HgSCN in the Dark Ages in Europe and show it to anyone, it is us who would be burning next on a fiery cross of Inquisition. And it’s no wonder, since this experiment produces a truly marvelous result. At first, as you ignite the mixture of NH4Cr2O7 and HgSCN, all you can see is that it is slowly burning with a reddish flame. After a while, however, a crater is formed in the middle of the burning pile, and then, suddenly, tentacle-like appendages start sprouting from the burning mixture. And you can almost hear the scream of the mad occultist – “Come forth, Kraken! Come forth!” But of course, this is simply a chemical reaction that is called the "Pharoah's Serpent". It was also often sold in firework stores until people realized that it was toxic.

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high. The “Saxon” tower was designed by James Wyatt in 1794 in the form of a castle, and built for Lady Coventry in 1799. The tower was built on a “beacon” hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester – approximately 22 miles (35 km) away – and sponsored the construction of the folly to find out. The beacon could be seen clearly.

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)