Indian labourers carry clay bricks to a brick kiln in Farakka, in the Indian state of West Bengal, on April 3, 2019. (Photo by Xavier Galiana/AFP Photo)

Dancers learn choreography they will need to perform as part of an open audition for the 2022 Radio City Rockettes at Radio City Music Hall in New York, New York, USA, 18 April 2022. The open auditions, the first being held since the start of the coronavirus pandemic, were expected to draw nearly 900 dancers competing for one of the few open spots in the 2022 Christmas Spectacular Starring the Radio City Rockettes, a long running holiday show. (Photo by Justin Lane/EPA/EFE)

A folk performer (front R) with make-up and props takes part in a “Blood Shehuo” parade, during a performance in Linyi county, Shanxi province March 21, 2015. “Shehuo” is the common name of Chinese traditional activities consisting of folk performances in northern China. The “Blood Shehuo” performers use make-up and props to re-enact scenes of horror in classic Chinese novels like Water Margin. (Photo by Reuters/Stringer)

Model Natasha Poly poses on the red carpet as she arrives for the screening of the film “Carol” in competition at the 68th Cannes Film Festival in Cannes, southern France, May 17, 2015. (Photo by Eric Gaillard/Reuters)

Natasha Hastings of U.S. on the starting block before the women's 400 metres heats during the 15th IAAF World Championships at the National Stadium in Beijing, China August 24, 2015. (Photo by Lucy Nicholson/Reuters)

People view the sunrise scene at the Bund in Shanghai, east China, January 1, 2017. (Photo by Wang Hechun/Xinhua/Barcroft Images)

Sea lion “Jay” paints a Chinese character reading “the Serpent” at the Hakkeijima Sea Paradise aquarium in Yokohama, suburban Tokyo on January 3, 2013. The event, marking the forthcoming Chinese lunar calender year of the snake was held as part of a New Year's attraction. (Photo by Kazuhiro Nogi/AFP Photo)

Young female Ibex on the fork of Disteis (2,200 m), near the top of the Jof di Montasio (Friuli, Italy). (Photo by Stefano Zocca)