“Romain Laurent is 29 years old, originally from the french Alps, living and working in Paris. Romain Laurent studied design for 3 years at ENSAAMA Olivier de Serres (National school of applied arts) in Paris and then switched to Photography at Gobelins, l’ecole de l’image, also in Paris. Working as a professional photographer since 2006”.

“Carli Davidson is both an internationally recognized award winning photographer and an experienced animal trainer and caretaker. She is able to capture the innate personalities of her subjects using her professional understanding of animal behavior. She is a freelance photographer for the Oregon Zoo, and works regularly with domestic animals both commercially and personally for her fine art projects”. (Photo by Carli Davidson)

Visitors look at photographs in the exhibition “Lisette Model Street Life e Horst P. Horst Syle and Glamour” at the art gallery “Camera – Centro Italiano per la fotografia” in Turin, Italy, 27 April 2021. Culture venues reopened to the public as several Italian region are back to COVID-19 yellow zone in the country's tier system. (Photo by Alessandro di Marco/EPA/EFE)

Children with painted faces in the art of the bahurupi tradition in Bardhaman, India on April 24, 2021. Impersonators family where their generations are engaged in making face painting and can easily metamorphose into different characters during a performance, as per different Traditional & Tribal myth which is the main earning source for their family. (Photo by Avishek Das/SOPA Images/Rex Features/Shutterstock)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

An employee of Paris city Hall removes padlocks clipped by lovers on the fence of the Pont des Arts over the River Seine in Paris, December 9, 2014. For years, visiting couples have hung brass padlocks on the iron grills lining the city's bridges to symbolise their undying love – they write their names on the locks, then toss the key into the Seine below. About 700,000 love locks are added every few months and Paris officials say they are damaging the bridges and threatening safety because of the added weight. (Photo by Philippe Wojazer/Reuters)

Unwanted phones recreated as interactive birds, part of “Escape III” by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014. (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)