View of the work “Divided” (2016), within the visual artist's exhibition “Urs Fischer: Lovers”, exhibited at the Museo Jumex in Mexico City, Mexico 31 March 2022. The sensations and emotions of love and life, as well as the energy and forces that create and wear it down, inhabit “Urs Fischer: Lovers”, the first solo exhibition in Mexico by Swiss plastics artist Urs Fischer. (Photo by Alex Cruz/EPA/EFE)

A girl peers from between light decorations at a Christmas fair which opened ahead of the holiday season in Bucharest, Romania, Friday, November 25, 2022. Municipal authorities in the Romanian capital, quoted by local media, stated that holiday season city light decoration levels will remain at last year's level and use energy saving solutions. (Photo by Vadim Ghirda/AP Photo)

Club-goers dance at “Morning Gloryville” at the Ministry of Sound in south London August 11, 2015. Morning dance parties with names like “Morning Gloryville” and "Daybreaker" are gathering steam in cities across the world, giving rise to a movement known as “conscious clubbing”. Its founders aim to create the energy and community of electronic dance parties with fruit smoothies and coffee instead of the drugs and alcohol more common after nightfall. (Photo by Toby Melville/Reuters)

Dancers perform at a Carnival parade in Les Cayes, Haiti, Tuesday, February 28, 2017. Haiti's three-day Carnival festivities have brought rum-fueled parties, imaginative costumes and high-energy dance music to a southern city that's still recovering from last year's punishing Hurricane Matthew. (Photo by Dieu Nalio Chery/AP Photo)

Labourers walk near trucks loaded with logs, which are trapped on a muddy road, near an unreserved forest in the village of Igbatoro, southwest Nigeria, August 28, 2014. Wood, a form of biomass, is the sole source of energy for hundreds of millions of Africans who lack access to modern sources of power, and logging, both legal and illegal, remains a lucrative business that has contributed to the rapid shrinking of Africa's rainforests and woodlands. (Photo by Akintunde Akinleye/Reuters)

A view of the Hazelwood Power Station across the cooling pondage at sunrise on March 21, 2012 in Melbourne, Australia. The brown coal fueled power station, located in Latrobe Valley is the oldest in Victoria and provides the state nearly 25% of its energy. In 2005 Hazelwood was labeled Australia's least carbon efficient power station by WWF Australia and continues to be a target of issue of environmentalist groups. (Photo by Hamish Blair/Getty Images)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)