A racegoer is given some water as he lays on the ground following 2017 Stakes Day at Flemington Racecourse on November 11, 2017 in Melbourne, Australia. (Photo by Scott Barbour/Getty Images)

Participants take part in the 44th annual Gay and Lesbian Mardi Gras parade at the Sydney Cricket Ground (SCG) in Sydney, Australia, 05 Ma​rch 2022. (Photo by Bianca de Marchi/EPA/EFE)

“A prototype lunar lander was destroyed on August 9, 2012, at Kennedy Space Center during its first free flight”. – James Dean via Florida Today

Photo: Morpheus Ground Level Hot Fire. Photo Date: April 2nd 2012. Location: VTB Flight Complex; Photographer: Joe Bibby

The possible surface of TRAPPIST-1f, one of seven newly discovered planets in the TRAPPIST-1 system that scientists using the Spitzer Space Telescope and ground based telescopes have discovered. (Photo by Reuters/NASA/JPL-Caltech)

A view shows a Lun-class Soviet-made ekranoplan, which is a naval craft and a ground-effect vehicle, on the Caspian Sea coastline in Derbent in the Republic of Dagestan, Russia on November 3, 2020. (Photo by Kazbek Basayev/Reuters)

During the spring harvest season, a group of traditional Malaysian honey hunters travel to the rainforest near the Thai border to collect honeycombs from giant bees – and risk their lives climbing 200ft trees. Here: Bees are sensitive to light, which makes them follow the glowing embers down to the ground. (Photo by Hasnoor Hussain/The Guardian)

Flowers are left on the ground near the Borisovskoye cemetery during the funeral of Russian opposition politician Alexei Navalny in Moscow, Russia, on March 1, 2024. (Photo by Reuters/Stringer)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.