Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

After school and civil service, Thomas Mangold went off to study Visual Communications in Dortmund where he still lives. During these studies, he had the opportunity for an internship at the advertising agency Grey Dusseldorf and also began to receive invites to publish his photographic series in magazines. Around this time, a new professor at the college arranged a one week intensive seminar in Strata 3D.

A light pillar is a visual phenomenon created by the reflection of light from ice crystals with near horizontal parallel planar surfaces. The light can come from the Sun (usually at or low to the horizon) in which case the phenomenon is called a sun pillar or solar pillar. It can also come from the Moon or from terrestrial sources such as streetlights.

Photographer Anna Radchenko explores this theme in her project “Reverse Side of a Mother’s Love,” where mother love becomes more than just mother-daughter relationship and causes some strange feelings. She visualizes, sadly, typical psychological problems in parent-child relationship: unrealized wishes of the parents, excessive strictness, total control and overprotection.

American photographer Austin Tott created the series ‘Tiny Tattoos’ that matches miniature hand-drawn tattoos with the backgrounds from which they draw visual reference. A small bicycle is placed in its urban environment, little trees and envelopes find their bigger brothers and a tiny fox is put in the context of wooden logs.