Takeoka Chisaka, Hiroshima, Japan. “One morning in August 1945, I was walking home from the night shift at a factory in Hiroshima. As I reached my door, there was a huge explosion. When I came to, my head was bleeding and I had been blasted 30m away. The atomic bomb had detonated. When I found my mother, her eyes were badly burned. A doctor said they had to come out, but he didn’t have the proper tools so used a knife instead. It was hellish. I became a peace-worker after the war. In the 1960s, at a meeting at the UN, I met one of the people who created the atomic bomb. He apologised”. (Photo and caption by Sasha Maslov)

“This is a shot I have envisioned in my head for a while, and only possible to shoot today with the invention of the GoPro. Shot at a beach break near my home. The board broke on this wave, but the vision made it worthwhile. Shot with the GoPro Hero 3+ and a Gripstick Pro Mount”. (Photo and caption by Mike Coots)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.

“Throughout those last months photography has grown in me. It has become a part of my life and I wouldn’t have it any other way. Flickr is my small theater, hope you'll enjoy the show”. – ShmilebliK

Photo: Short circuit, 2012 (Photo by ShmilebliK)

Nithin Rao Kumblekar, a freelance illustrator and art director based in Bangalore, India, created these illustrations for an ad campaign by Ogilvy & Mather for ‘in store’ branding for Allen Solly clothing. The idea of the project was to blend each illustration in with a model(s) / photograph to express the theme “My world, My way“.

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.

Kaia Gerber attends the LOVE Magazine LFW Party, celebrating issue 23 at The Standard, London on February 17, 2020 in London, England. LOVE magazine is welcoming Ben Cobb as Editor-In-Chief Men's, Graham Rounthwaite as Creative Director, and Oliver Volquardsen as Fashion Director. (Photo by David M. Benett/Dave Benett/Getty Images for LOVE Magazine)