France's Typhaine Solde competes in the women's long jump - T64 finals of the Tokyo 2020 Paralympic Games at the Olympic Stadium in Tokyo on August 28, 2021. (Photo by Kim Price/CSM/Rex Features/Shutterstock)

Sonny Colbrelli of Italy celebrates winning the men's Paris Roubaix, a 258 kilometer (160.3 miles) one-day-race cycling race, at the velodrome in Roubaix, northern France, Sunday, October 3, 2021. (Photo by Vincent Kalut/Pool Photo via AP Photo)

Madson of Santos reacts during the match between Santos and Palmeiras as part of Brasileirao Series A 2022 at Vila Belmiro Stadium on May 29, 2022 in Santos, Brazil. (Photo by Carla Carniel/Reuters)

Australia's Georgia Wareham (C) celebrates after the dismissal of Bangladesh's Sobhana Mostary (not seen) during the Group A T20 women's World Cup cricket match between Australia and Bangladesh at St George's Park in Gqeberha on February 14, 2023. (Photo by Marco Longari/AFP Photo)

To most of us, hand-feeding crocodiles might sound like a one-way ticket to a watery grave. But for Jose Eduardo Chaves Salas, 32, coming within inches of the fearsome creatures’ razor-sharp teeth is all in a day’s work. He runs Jose's Crocodile River Tour on the Tarcoles River in Costa Rica, where tourists can watch him feed crocs up to 17 feet long. Photo: A tour guide shows a thumbs up as he sits on top of a crocodile on the Tarcoles river in Tarcoles, Costa Rica. (Photo and caption by Barcroft Media)

Globe-trotting photographer couple Peter Sedlacik and Zuzu Galova have found a fun way to document their travels around the world. Wherever they are, they face each other, frame up a great composition, and take a picture of each other… taking a picture of each other. Thus was born the photo series/project “Lens Between Us”, which is quickly scooping up followers on Tumblr, Facebook and Instagram alike. The resulting diptychs are creative, well-composed, and whimsical in the best way. A tribute to how their focus is always on each other, the images are part travel photography, part portraiture, and challenging to boot since each shot requires that they figure out not one, but two compositions. (Photo by Peter Sedlacik/Zuzu Galova)