A student aims a stick of wood at Bolivarian National Police officers during clashes outside the Central University in Caracas, Venezuela, Thursday, June 9, 2016. Students had planned to march from Venezuela's top university to elections headquarters, but hundreds of police in riot gear blocked the way. Students covered their faces with Venezuelan flags and threw bottles, stones and sticks while police lobbed tear gas. (Photo by Fernando Llano/AP Photo)

“The Glimmer Twins”, a statue of Rolling Stones Sir Mick Jagger and Keith Richards created by sculptor Amy Goodman (centre), is unveiled at One Bell Corner in Dartford, Essex, UK on Wednesday, August 9, 2023. The statue has been commissioned by Dartford Borough Council to celebrate two of the town's most famous former residents. (Photo by Yui Mok/PA Images via Getty Images)

The stone huts and streets of this Italian city look like a scene from a fairytale. The buildings you see before you are called trulli. The rise in popularity of such houses was in 19th century when they were constructed as storehouses and temporary field shelters or as permanent shelters by agricultural laborers and small proprietors. Wouldn’t it be amazing to own such a house? To become engulfed by the fairytale as you sip a cup of coffee, looking out of a small window onto a crowded street.

Guatapé is a town and municipality in Antioquia Department, Colombia. Part of the subregion of Eastern Antioquia. Guatapé is located in the outskirts of Medellín, bordering a reservoir created by the Colombian government for a hydro-electric dam, built in the late 1960s. This quaint town is the gathering place for "Las Vegas", or the small farms of the area. It is also a growing area of recreation for citizens of Medellín, and aims to be a tourist destination for foreign travellers.
Guatapé was founded in 1811, by the Spaniard Don Francisco Giraldo y Jimenez. The name "Guatapé", comes from the Quechua language, related to "stones and water". The area was visited by the conquistadors circa 1551.

Photochromes are vibrant and nuanced prints hand-coloured from black-and-white negatives. Created using a process pioneered in the 1880s, these images offer a fascinating insight into the world when colour photography was still in its infancy. A Tour of the World in Photochromes is at the Swiss Camera Museum, Vevey, until 21 August. Here: Street food in the Strada del Porto in Naples, Italy, 1899. (Photo by Swiss Camera Museum/The Guardian)

In this photo taken on Saturday, April 29, 2017, a candle is lit in a roadside shrine as the sun sets across a nearby lake of Pineia in the village of Souli, in the Peloponnese region of southern Greece. Made of iron sheeting, stone, wood, concrete or marble, tens of thousands of such shrines punctuate Greece’s roadside scenery, a common sight in a country that has one of the European Union’s worst road fatality rates. (Photo by Petros Giannakouris/AP Photo)

Claire and Rupert Callender of the Green Funeral Company pose for a photograph with a environmentally friendly coffin in woodland close to their office at Dartington Hall Estate on February 4, 2011 near Torquay, England. The Devon-based company operates as funeral directors and undertakers throughout the South West, offers an ecological alternative to traditional funerals, with coffins made from ecologically friendly materials such as wicker and bamboo, and can arrange funerals that encompass diverse religious and spiritual beliefs everything from a Catholic Requiem Mass, to a Pagan ritual at a stone circle on Bodmin Moor. (Photo by Matt Cardy/Getty Images)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.